American author (1929- )
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
The danger in trying to do good is that the mind comes to confuse the intent of goodness with the act of doing things well.
URSULA K. LE GUIN
Tales from Earthsea
Writers need to learn their trade, and how to negotiate the increasingly difficult marketplace. The trade can be taught and learned just as the craft can. But a workshop where the trade is the principal focus of interest is not a writing workshop. It is a business class.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
To leave the reader free to decide what your work means, that's the real art; it makes the work inexhaustible.
URSULA K. LE GUIN
The Guardian, December 17, 2005
A wrong that cannot be repaired must be transcended.
URSULA K. LE GUIN
Tehanu
To think that realistic fiction is by definition superior to imaginative fiction is to think imitation is superior to invention.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
Nothing remains the same from one moment to the next, you can't step into the same river twice. Life--evolution--the whole universe of space/time, matter/energy--existence itself--is essentially change.
URSULA K. LE GUIN
The Lathe of Heaven
Violence gains nothing, killing wins nothing -- only sometimes nothing is what people want. Death is what they want. And they get it.
URSULA K. LE GUIN
"The Eye of the Heron"
It's a rare gift, to know where you need to be, before you've been to all the places you don't need to be.
URSULA K. LE GUIN
Tales from Earthsea
It is not altogether a bad thing to have criminal ancestors. An arsonist grandfather may bequeath one a nose for smelling smoke.
URSULA K. LE GUIN
The Left Hand of Darkness
Sleeping people are so remote.... Right here, but out of communication. That's what strikes humans as uncanny about sleep. Its utter privacy. The sleeper turns his back on everyone.
URSULA K. LE GUIN
The Lathe of Heaven
There are things that outweigh comfort, unless one is an old woman or a cat.
URSULA K. LE GUIN
The Left Hand of Darkness
The historic function of a Senator from Oregon is to drive all the other Senators mad.
URSULA K. LE GUIN
The Lathe of Heaven
The more defensive a society, the more conformist.
URSULA K. LE GUIN
City of Illusions
Fantasy is escapist, and that is its glory. If a soldier is imprisoned by the enemy, don't we consider it his duty to escape? The moneylenders, the knownothings, the authoritarians have us all in prison; if we value the freedom of the mind and soul, if we're partisans of liberty, then it's our plain duty to escape, and to take as many people with us as we can.
URSULA K. LE GUIN
The Language of the Night: Essays on Fantasy and Science Fiction
A realist is a man who knows both the world and his own dreams.
URSULA K. LE GUIN
The Word for World is Forest
When I was young, I had to choose between the life of being and the life of doing. And I leapt at the latter like a trout to a fly. But each deed you do, each act, binds you to itself and to its consequences, and makes you act again and yet again. Then very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be. or wonder who, after all, you are.
URSULA K. LE GUIN
The Farthest Shore
I'm not a quester or a searcher for the truth. I don't really think there is one answer, so I never went looking for it. My impulse is less questing and more playful. I like trying on ideas and ways of life and religious approaches. I'm just not a good candidate for conversion.
URSULA K. LE GUIN
interview, The Paris Review, fall 2013
To claim power over what you do not understand is not wise, nor is the end of it likely to be good.
URSULA K. LE GUIN
The Farthest Shore
Genre fiction was looked at as a ghetto, but I wonder now if realist fiction, sealing itself off in the glum suburbs of a dysfunctional society, denying the use of imagination, was the ghetto.
URSULA K. LE GUIN
interview, Salon, November 17, 2014