quotations about poetry
No doubt Plato's notion that poets should chant nothing but hymns to the Gods and praises of virtue is a little narrow and exacting, but if they are to sing songs worthy of themselves, and of mankind, they must be on the side of virtue and of the Gods.
ALFRED AUSTIN
The Bridling of Pegasus
Is poetry more important than politics? In a practical sense, probably not, but people have different perspectives and will place their values accordingly. I know I couldn't munch through metaphors if I was half-starved and shivering on the streets - though I'd probably give it a go. Still, as someone pointed out, a brew does taste better with a spoonful of sugar and a splash of semi-skimmed than with a dash of Dylan Thomas.
JADE CUTTLE
"A plate of poetry, please: Is poetry more important than politics?", Varsity Online, May 3, 2016
The permanent passions of mankind--love, religion, patriotism, humanitarianism, hate, revenge, ambition; the conflict between free will and fate; the rise and fall of empires--these are all great themes, and, if greatly treated, and in accordance with the essentials applicable to all poetry, may produce poetry of the loftiest kind.
ALFRED AUSTIN
The Bridling of Pegasus
Poetry (by extension, any art) is a response, it is part of a conversation between the writer and the larger world--and just writing that I realize how much our writing is a form of listening. And we have a response-ability that can grow, shift, change as we do over the years.
SARAH SADIE
"On Poetry: A Conversation", Patheos, April 30, 2016
Poesy is a part of learning in measure of words, for the most part restrained, but in all other points extremely licensed, and doth truly refer to the imagination; which, being not tied to the laws of matter, may at pleasure join that which nature hath severed, and sever that which nature hath joined, and so make unlawful matches and divorces of things.
FRANCIS BACON
The Advancement of Learning
Only poetry can measure the distance between ourselves and the Other.
CHARLES SIMIC
The Unemployed Fortune-Teller
Language, colour, form, and religious and civil habits of action, are all the instruments and materials of poetry; they may be called poetry by that figure of speech which considers the effect as a synonym of the cause. But poetry in a more restricted sense expresses those arrangements of language, and especially metrical language, which are created by that imperial faculty; whose throne is curtained within the invisible nature of man. And this springs from the nature itself of language, which is a more direct representation of the actions and passions of our internal being, and is susceptible of more various and delicate combinations, than colour, form, or motion, and is more plastic and obedient to the control of that faculty of which it is the creation. For language is arbitrarily produced by the imagination and has relation to thoughts alone; but all other materials, instruments and conditions of art, have relations among each other, which limit and interpose between conception and expression The former is as a mirror which reflects, the latter as a cloud which enfeebles, the light of which both are mediums of communication. Hence the fame of sculptors, painters, and musicians, although the intrinsic powers of the great masters of these arts may yield in no degree to that of those who have employed language as the hieroglyphic of their thoughts, has never equalled that of poets in the restricted sense of the term, as two performers of equal skill will produce unequal effects from a guitar and a harp. The fame of legislators and founders of religions, so long as their institutions last, alone seems to exceed that of poets in the restricted sense; but it can scarcely be a question, whether, if we deduct the celebrity which their flattery of the gross opinions of the vulgar usually conciliates, together with that which belonged to them in their higher character of poets, any excess will remain.
PERCY BYSSHE SHELLEY
A Defence of Poetry
I think that believing in language -- in the ability of words to bring even an imagined reality into being -- is a big part of what it means to write poetry. If something like an idea or a belief is capable of being imagined or even described, then the possibility that it will be acted upon becomes much more likely. I think that many of my poems are attempts to take myself up on that premise, to step into conversation with voices and events that require me to decide something: what do I believe is right? What is the more subtle or subjective view of this situation? What must I challenge myself to understand?
TRACY K. SMITH
interview, Ploughshares Literary Magazine, May 30, 2012
Here! is this you on the top of Fan-ko Mountain,
Wearing a huge hat in the noon-day sun?
How thin, how wretchedly thin, you have grown!
You must have been suffering from poetry again.
LI BAI
"Addressed Humorously to Tu Fu"
For verses and poems I can turn to true food.
ST. AUGUSTINE
Confessions
The poem that says "I love you" is the little black cocktail dress, the classic thing that everyone would like to have written one of.
JAMES FENTON
BBC Radio, October 4, 1994
The emperor would prefer the poet to keep away from politics, the emperor's domain, so that he can manage things the way he likes.
CHINUA ACHEBE
Conjunctions, Fall 1991
Such is the role of poetry. It unveils, in the strict sense of the word. It lays bare, under a light which shakes off torpor, the surprising things which surround us and which our senses record mechanically.
JEAN COCTEAU
"Le Secret Professionnel", A Call to Order
Some people pretend they never were in love and never wrote poetry; two weaknesses which they dare not own -- one of the heart, the other of the mind.
JEAN DE LA BRUYÈRE
"Of the Affections", Les Caractères
One of the current great problems in the world is fundamentalism of every kind -- political, spiritual -- and poetry is an antidote to fundamentalism. Poetry is about the clarities that you find when you don't simplify. Poetry is about complexity, nuance, subtlety. Poems also create larger fields of possibility. The imagination is limitless, so even when a person is confronted with an unchangeable outer circumstance, one thing poems give you is the sense that there's always, still, a changeability, a malleability, of inner circumstance. That's the beginning of freedom.
JANE HIRSHFIELD
"How can poems transform the world? A chat with poet Jane Hirshfield.", Washington Post, May 13, 2015
No verse which is unmusical or obscure can be regarded as poetry whatever other qualities it may possess.
ALFRED AUSTIN
The Bridling of Pegasus: Prose Papers on Poetry
Joyous or bereaved, poetry is the ink and paper realm of emotion.
MAGGIE GRIMASON
"The Province of the Heart", Alibi, April 28, 2016
I see poetry as a path toward new understanding and transformation.
JANE HIRSHFIELD
The Atlantic Online, September 18, 1997
But poets, or those who imagine and express this indestructible order, are not only the authors of language and of music, of the dance, and architecture, and statuary, and painting; they are the institutors of laws, and the founders of civil society, and the inventors of the arts of life, and the teachers, who draw into a certain propinquity with the beautiful and the true, that partial apprehension of the agencies of the invisible world which is called religion. Hence all original religions are allegorical, or susceptible of allegory, and, like Janus, have a double face of false and true. Poets, according to the circumstances of the age and nation in which they appeared, were called, in the earlier epochs of the world, legislators, or prophets: a poet essentially comprises and unites both these characters. For he not only beholds intensely the present as it is, and discovers those laws according to which present things ought to be ordered, but he beholds the future in the present, and his thoughts are the germs of the flower and the fruit of latest time. Not that I assert poets to be prophets in the gross sense of the word, or that they can foretell the form as surely as they foreknow the spirit of events: such is the pretence of superstition, which would make poetry an attribute of prophecy, rather than prophecy an attribute of poetry. A poet participates in the eternal, the infinite, and the one; as far as relates to his conceptions, time and place and number are not. The grammatical forms which express the moods of time, and the difference of persons, and the distinction of place, are convertible with respect to the highest poetry without injuring it as poetry; and the choruses of Aeschylus, and the book of Job, and Dante's Paradise, would afford, more than any other writings, examples of this fact, if the limits of this essay did not forbid citation. The creations of sculpture, painting, and music, are illustrations still more decisive.
PERCY BYSSHE SHELLEY
A Defence of Poetry
A true poet does not bother to be poetical. Nor does a nursery gardener scent his roses.
JEAN COCTEAU
"Le Secret Professionnel", A Call to Order