quotations about poetry
Poetry is never a sensible choice on financial grounds. Burglary beats poetry, when it comes to making money.
GARRISON KEILLOR
"Does love have to be a five-alarm fire?", Salon, July 15, 1998
Poetry is the liquid voice that can wear through stone.
ADRIENNE RICH
attributed, Unlocking the Poem
O gracious God! how far have we
Profaned thy heavenly gift of poesy!
JOHN DRYDEN
To the Pious Memory of Mrs. Anne Killegrew
Poems allow us not only to bear the tally and toll of our transience, but to perceive, within their continually surprising abundance, a path through the grief of that insult into joy.
JANE HIRSHFIELD
Ten Windows: How Great Poems Transform the World
The emperor would prefer the poet to keep away from politics, the emperor's domain, so that he can manage things the way he likes.
CHINUA ACHEBE
Conjunctions, Fall 1991
I see poetry as a path toward new understanding and transformation.
JANE HIRSHFIELD
The Atlantic Online, September 18, 1997
I think a poem, when it works, is an action of the mind captured on a page, and the reader, when he engages it, has to enter into that action. And so his mind repeats that action and travels again through the action, but it is a movement of yourself through a thought, through an activity of thinking, so by the time you get to the end you're different than you were at the beginning and you feel that difference.
ANNE CARSON
The Paris Review, fall 2004
I've had people explain to me what one of my poems meant, and I've been surprised that it means that to them. If a person can use a poem of mine to interpret her life or his life, good. I can't control that. Nor would I want to.
MAYA ANGELOU
Facebook post, October 4, 2012
Only poetry can measure the distance between ourselves and the Other.
CHARLES SIMIC
The Unemployed Fortune-Teller
Poetry can repair no loss, but it defies the space which separates. And it does this by its continual labor of reassembling what has been scattered.
JOHN BERGER
And Our Faces, My Heart, Brief as Photos
Poetry is prose in slow motion.
NICHOLSON BAKER
The Anthologist
The bad poet is usually unconscious where he ought to be conscious, and conscious where he ought to be unconscious.
T. S. ELIOT
Tradition and the Individual Talent
There is no true poet in whom fancy is not close akin to faith.
JOHN C. BAILEY
The Claims of French Poetry
A poet does not work by square or line.
WILLIAM COWPER
Conversation
But poets, or those who imagine and express this indestructible order, are not only the authors of language and of music, of the dance, and architecture, and statuary, and painting; they are the institutors of laws, and the founders of civil society, and the inventors of the arts of life, and the teachers, who draw into a certain propinquity with the beautiful and the true, that partial apprehension of the agencies of the invisible world which is called religion. Hence all original religions are allegorical, or susceptible of allegory, and, like Janus, have a double face of false and true. Poets, according to the circumstances of the age and nation in which they appeared, were called, in the earlier epochs of the world, legislators, or prophets: a poet essentially comprises and unites both these characters. For he not only beholds intensely the present as it is, and discovers those laws according to which present things ought to be ordered, but he beholds the future in the present, and his thoughts are the germs of the flower and the fruit of latest time. Not that I assert poets to be prophets in the gross sense of the word, or that they can foretell the form as surely as they foreknow the spirit of events: such is the pretence of superstition, which would make poetry an attribute of prophecy, rather than prophecy an attribute of poetry. A poet participates in the eternal, the infinite, and the one; as far as relates to his conceptions, time and place and number are not. The grammatical forms which express the moods of time, and the difference of persons, and the distinction of place, are convertible with respect to the highest poetry without injuring it as poetry; and the choruses of Aeschylus, and the book of Job, and Dante's Paradise, would afford, more than any other writings, examples of this fact, if the limits of this essay did not forbid citation. The creations of sculpture, painting, and music, are illustrations still more decisive.
PERCY BYSSHE SHELLEY
A Defence of Poetry
Men of real talents in Arms have commonly approved themselves patrons of the liberal arts and friends to the poets, of their own as well as former times. In some instances by acting reciprocally, heroes have made poets, and poets heroes.
GEORGE WASHINGTON
letter to the Marquis de Lafayette, May 28, 1788
Much of the poetry we know about comes from our high school English classes where teachers turned to the 19th century for inspiration. While some of those poems are wonderful, quite a few are old-fashioned enough to sound obscure, and have contributed to the popular idea that poetry is unfathomable and not something meant for ordinary people. All of this is horse-twaddle, if you'll pardon my French. Poetry is for everyone, and here's how you can tell: whenever something big happens in the world or in an individual life, people turn toward it: Suddenly poems are flying around the internet, being shared, liked, and retweeted hundreds of times. Poems are read at weddings, christenings, and funerals, at opening ceremonies and presidential inaugurals. This is because poetry is the language of emotion.
MOLLY FISK
"Poetry Is All Yours", Women's Voices for Change, April 9, 2016
No wonder poets sometimes have to seem
So much more businesslike than businessmen.
Their wares are so much harder to get rid of.
ROBERT FROST
"New Hampshire"
Poetry lifts the veil from the hidden beauty of the world, and makes familiar objects be as if they were not familiar.
PERCY BYSSHE SHELLEY
A Defence of Poetry
When you work in form, be it a sonnet or villanelle or whatever, the form is there and you have to fill it. And you have to find how to make that form say what you want to say. But what you find, always--I think any poet who's worked in form will agree with me--is that the form leads you to what you want to say.
URSULA K. LE GUIN
interview, The Paris Review, fall 2013