WRITING QUOTES IX

quotations about writing

It is the glory and the merit of some men to write well, and of others not to write at all.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

Tags: Jean de La Bruyère


Lucky the one who writes in a book of spiral-bound mornings
a future in ink, who writes hand unshaking

JANE HIRSHFIELD

"Sweater"

Tags: Jane Hirshfield


Here are the two states in which you may exist: person who writes, or person who does not. If you write: you are a writer. If you do not write: you are not. Aspiring is a meaningless null state that romanticizes Not Writing. It's as ludicrous as saying, "I aspire to pick up that piece of paper that fell on the floor." Either pick it up or don't. I don’t want to hear about how your diaper's full. Take it off or stop talking about it.

CHUCK WENDIG

The Kick-Ass Writer


But most important of all is the structure of the incidents. For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action.

ARISTOTLE

Poetics

Tags: Aristotle


Transitions are usually not that interesting. I use space breaks instead, and a lot of them. A space break makes a clean segue whereas some segues you try to write sound convenient, contrived. The white space sets off, underscores, the writing presented, and you have to be sure it deserves to be highlighted this way. If used honestly and not as a gimmick, these spaces can signify the way the mind really works, noting moments and assembling them in such a way that a kind of logic or pattern comes forward, until the accretion of moments forms a whole experience, observation, state of being. The connective tissue of a story is often the white space, which is not empty.

AMY HEMPEL

The Paris Review, summer 2003

Tags: Amy Hempel


Rewrite, rewrite, rewrite, don't be precious about your first draft, it's an architectural blueprint to a whole building, be your own worst critic, confront your weakness and remember it's a craft.

TOBSHA LEARNER

interview, Booktopia, February 22, 2011

Tags: Tobsha Learner


The novelist is like the conductor of an orchestra, his back to the audience, his face invisible, summoning the experience of music for the people he cannot see. The writer as conductor also gets to compose the music and play all of the instruments, a task less formidable than it seems. What it requires is the conscious practice of providing an extraordinary experience for the reader, who should be oblivious to the fact that he is seeing words on paper.

SOL STEIN

Stein on Writing


Occasionally, there arises a writing situation where you see an alternative to what you are doing, a mad, wild gamble of a way for handling something, which may leave you looking stupid, ridiculous or brilliant -- you just don't know which. You can play it safe there, too, and proceed along the route you'd mapped out for yourself. Or you can trust your personal demon who delivered that crazy idea in the first place. Trust your demon.

ROGER ZELAZNY

introduction, "Passion Play"

Tags: Roger Zelazny


To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

MARK TWAIN

"How to Tell a Story"

Tags: Mark Twain


Once somebody's aware of a plot, it's like a bone sticking out. If it breaks through the skin, it's very ugly.

LOUIS AUCHINCLOSS

The Paris Review, fall 1994


The funny thing about writing is that whether you're doing it well or you're doing it poorly, it looks the exact same. That is actually one of the main ways that writing is different from ballet dancing.

JOHN GREEN

"July 19: A Day in the Life of a Writer (Who Has No Friends)", YouTube


I'm not interested in writing for adults. I like them as people! I don't like the way they publish books in that world. Nothing ever gets a chance.

JOHN GREEN

Huffington Post, October 12, 2012


When I start to write, I don't have any plan at all. I just wait for the story to come. I don't choose what kind of story it is or what's going to happen. I just wait.

HARUKI MURAKAMI

Paris Review, summer 2004


Writing is a form of therapy; sometimes I wonder how all those who do not write, compose, or paint can manage to escape the madness, melancholia, the panic and fear which is inherent in a human situation.

GRAHAM GREENE

Ways of Escape


No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.

GAIL CARSON LEVINE

interview, Bookshop Talk, September 22, 2011

Tags: Gail Carson Levine


If there's a character type I despise, it's the all-capable, all-knowing, physically perfect protagonist. My idea of hell would be to be trapped in a four-hundred page, first-person, first-tense, running monologue with a character like that. I think writers who produce characters along those lines should graduate from high school and move on.

CRAIG JOHNSON

"A Conversation with Craig Johnson", The Cold Dish

Tags: Craig Johnson


A story is a letter that the author writes to himself, to tell himself things that he would be unable to discover otherwise.

CARLOS RUIZ ZAFON

The Shadow of the Wind

Tags: Carlos Ruiz Zafon


You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.

CARLOS RUIZ ZAFON

"The Shadow Maker", The Telegraph, November 27, 2005

Tags: Carlos Ruiz Zafon


We all often feel like we are pulling teeth, even those writers whose prose ends up being the most natural and fluid. The right words and sentences just do not come pouring out like ticker tape most of the time.

ANNE LAMOTT

Bird by Bird

Tags: Anne Lamott


Great novelists are philosopher-novelists who write in images instead of arguments.

ALBERT CAMUS

The Myth of Sisyphus