quotations about writing
I'm pretty obsessive-compulsive and I'm very fast. I tend to not write for a long period of time until I can't not write, and then I write first drafts in gallops. I won't eat right. I forget to do my laundry. I have a dog now, and I have to remember to walk him. When I write, that takes over and I can't do anything else. There's something exciting about that free fall, but then my life gets really screwed up. I've lost lots of relationships because of my having to ignore everything.
ADAM RAPP
interview, Theatre Communications Group
If there is an occupational hazard to writing, it's drinking.
CORMAC MCCARTHY
New York Times, April 19, 1992
Many great writers address audiences who do not exist; to address passionately and sometimes with very great wisdom people who do not exist has this advantage--that there will always be a group of people who, seeing a man shouting apparently at somebody or other, and seeing nobody else in sight, will think it is they who are being addressed.
WYNDHAM LEWIS
The Art of Being Ruled
Nothing can destroy the good writer. The only thing that can alter the good writer is death. Good ones don't have time to bother with success or getting rich.
WILLIAM FAULKNER
The Paris Review, spring 1956
That writer who aspires to immortality, should imitate the sculptor, if he would make the labours of the pen as durable as those of the chisel. Like the sculptor, he should arrive at ultimate perfection, not by what he adds, but by what he takes away.
CHARLES CALEB COLTON
Lacon
The chief advantage that ancient writers can boast over modern ones, seems owing to simplicity. Every noble truth and sentiment was expressed by the former in the natural manner; in word and phrase, simple, perspicuous, and incapable of improvement. What then remained for later writers but affectation, witticism, and conceit?
WILLIAM SHENSTONE
Essays on Men and Manners
The thing to remember when you're writing is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader.
CHARLES DE LINT
The Blue Girl
The writer operates at a peculiar crossroads where time and place and eternity somehow meet. His problem is to find that location.
FLANNERY O'CONNOR
Mystery and Manners
There are three rules for writing the novel. Unfortunately, no one knows what they are.
W. SOMERSET MAUGHAM
attributed, Literary Agents: How to Get & Work with the Right One for You
There is a realm of possible knowledge which can be reached by artists, which is not susceptible of mathematical verification but which is true. This is sometimes spoken as the ineffable. If there is any word I detest in the language, this would be it, but the fact that it exists, the word ineffable, is suspicious in that it suggests that there might be something that is ineffable. And I believe that that's the place artists are trying to get to, and I further believe that when they are successful, they reach it.
DONALD BARTHELME
"A Symposium of Fiction"
There is, as yet, no Act of Parliament compelling a bona fide traveler to read. If you wish him to read, you must make reading pleasant. You must give him short views, and clear sentences.
WALTER BAGEHOT
Literary Studies
There's something paralyzing about being a writer that you have to escape.... The 26 letters distance us from our own hesitations and they make us sound as if we know what we're doing. We know grammar, we know prose, but actually we're all just struggling in the dark, really.
NICHOLSON BAKER
interview, Interview Magazine, September 16, 2013
This is our goal as writers, I think; to help others have this sense of--please forgive me--wonder, of seeing things anew, things that can catch us off guard, that break in on our small, bordered worlds.
ANNE LAMOTT
Bird by Bird
Well, the secret to writing is writing. It's only a secret to people who don't want to hear it. Writing is how you be a writer.
URSULA K. LE GUIN
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination
Well, there are certain stock words that I have found myself using a great deal. When I become aware of them, it is an alarm signal meaning I am falling back on something that has served in the past--it is a sign of not thinking at the present moment, not that there is anything intrinsically bad about certain words or phrases.
JOHN ASHBERY
interview, The Paris Review, winter 1983
When I was teaching -- I taught for a while -- my students would write as if they were raised by wolves. Or raised on the streets. They were middle-class kids and they were ashamed of their background. They felt like unless they grew up in poverty, they had nothing to write about. Which was interesting because I had always thought that poor people were the ones who were ashamed. But it's not. It's middle-class people who are ashamed of their lives. And it doesn't really matter what your life was like, you can write about anything. It's just the writing of it that is the challenge. I felt sorry for these kids, that they thought that their whole past was absolutely worthless because it was less than remarkable.
DAVID SEDARIS
January Magazine, June 2000
When it's going well [writing] goes terribly fast. It isn't at all surprising to write a chapter in a day, which for me is about twenty-two pages. When it's going badly, it isn't really going badly; it's just the beginning.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997
Writers cannot let themselves be servants of the official mythology. They have to, whatever the cost, say what truth they have to say.
TOBIAS WOLFF
Continuum, summer 1998
Writing, in whatever form, is your own personal progress report. There's nothing I love more than curling up with tea and reading back over my past, error-riddled posts. It's an indescribable connection that you simply can't get from a photo or memory alone. Think of it as the only true insight your future self has into you, as you are today. Blog for yourself and the rest will follow.
BIANCA BASS
"Why You Should Write (Even If It Feels Like Nobody Is Listening)", Huffington Post, February 29, 2016
You do have a leash, finally, as a writer. You're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash.
HAROLD PINTER
The Progressive, March 2001