WRITING QUOTES XVI

quotations about writing

I understood that my real problem with writing was not that I couldn't do it mentally. I couldn't do it physically. I could not sit still. Literally, could not sit still. So I had to solve that. I used some long scarves to tie myself into my chair. I tied myself in with a pack of cigarettes on one side and coffee on the other, and when I instinctively bolted upright after a few minutes, I'd say, Oh, shit. I'm tied down. I've got to keep writing.

LOUISE ERDRICH

The Paris Review, winter 2010

Tags: Louise Erdrich


My job is not to try to give readers what they want but to try to make readers want what I give.

CHINA MIÉVILLE

The Guardian, September 20, 2012


The reason I write so slowly is because I try never to leave a sentence until it's as perfect as I can make it. So there isn't a word in any of my books that hasn't been gone over 40 times.

TOM ROBBINS

"In the Creative Process with Tom Robbins; Perfect Sentences, Imperfect Universe", New York Times, December 30, 1993

Tags: Tom Robbins


When we attempt to articulate our tender feelings in writing, we enter an inner dialogue of self-exploration: we forage for the more precise word, the more resonant phrasing. If the writing is done with particular care and attention, there is a Goldilocks quality to it: We rustle through an assortment of terms, discarding one, perhaps as "too weak" or another "too ordinary" until we settle upon the one that is "just right". In doing so, we have discovered something about ourselves.

DANIEL GRIFFIN

"Don't Tell Him You Love Him... Put It in Writing", Huffington Post, February 15, 2016


Writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational.

JAMES M. CAIN

The Paris Review, spring-summer 1978


Writing is creative, which is right brain activity. Editing is rational, logical and process/rule driven, which is left-brain activity. It seems that, if you switch consistently between the two, the creative process becomes derailed by all the rules and forms. You scare it back into the shadows.

DAVID CHISLETT

"Editing Is Not Writing", Books LIVE, February 12, 2016


Writing, in whatever form, is your own personal progress report. There's nothing I love more than curling up with tea and reading back over my past, error-riddled posts. It's an indescribable connection that you simply can't get from a photo or memory alone. Think of it as the only true insight your future self has into you, as you are today. Blog for yourself and the rest will follow.

BIANCA BASS

"Why You Should Write (Even If It Feels Like Nobody Is Listening)", Huffington Post, February 29, 2016


You know nobody's ever going to see the stuff, but you have to write through it. You're just trying to satisfy some grim, barren mandate. There's probably a German word for that.

JOHN JEREMIAH SULLIVAN

The Paris Review, winter 2012


Most writer zombies don't realize they are the undead, because they do just enough to convince themselves (and others) that they are actual writers. They talk a lot about writing -- boy, are writer zombies great talkers -- going on for hours about the screenplay or pilot they're supposedly writing or will write once they have the time. They also read writing books and blogs and take seminars because that makes them feel like they are in the game. And they take classes, especially those that impose short-term deadlines, because that gets them writing, which makes them feel alive. But once the class is over, they almost always go back to their zombie ways.

COREY MANDELL

"Beware the Writing Zombies", Huffington Post, February 25, 2016


The first forms of writing emerged not for art, literature, or love, not for spiritual or liturgical purposes, but for business--all literature could be said to originate from sales receipts (sorry).

DANIEL J. LEVITIN

The Organized Mind

Tags: Daniel J. Levitin


There's something paralyzing about being a writer that you have to escape.... The 26 letters distance us from our own hesitations and they make us sound as if we know what we're doing. We know grammar, we know prose, but actually we're all just struggling in the dark, really.

NICHOLSON BAKER

interview, Interview Magazine, September 16, 2013

Tags: Nicholson Baker


Well it's been hard for me to not write, and that's the only process I can speak to I guess, it's so compulsive and I need to do it all the time that sometimes I make myself not do it so I can actually tend to my life. And my life has been in shambles, like my personal relationships, my laundry, paying bills--now I have someone who pays my bills--and it's always been a challenge because it overwhelms me. And just once I start I can go for hours and hours and hours, and sometimes I forget to eat, and the only thing I really break for is to play basketball and to walk around outside and just get some fresh air. A lot of times, days melt away; and when I'm in that zone, I love that it's like going down a rabbit hole that I enjoy.

ADAM RAPP

interview, Broadway Bullet, March 26, 2007

Tags: Adam Rapp


When it's going well [writing] goes terribly fast. It isn't at all surprising to write a chapter in a day, which for me is about twenty-two pages. When it's going badly, it isn't really going badly; it's just the beginning.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997


Writing is nothing more than a guided dream.

JORGE LUIS BORGES

preface, Dr. Brodie's Report

Tags: Jorge Luis Borges


A plain narrative of any remarkable fact, emphatically related, has a more striking effect without the author's comment.

WILLIAM SHENSTONE

Essays on Men and Manners


Everybody can write; writers can't do anything else.

MIGNON MCLAUGHLIN

The Complete Neurotic's Notebook

Tags: Mignon McLaughlin


I believe so. In its beginning, dialogue's the easiest thing in the world to write when you have a good ear, which I think I have. But as it goes on, it's the most difficult, because it has so many ways to function. Sometimes I needed to make a speech do three or four or five things at once--reveal what the character said but also what he thought he said, what he hid, what others were going to think he meant, and what they misunderstood, and so forth--all in his single speech. And the speech would have to keep the essence of this one character, his whole particular outlook in concentrated form. This isn't to say I succeeded. But I guess it explains why dialogue gives me my greatest pleasure in writing.

EUDORA WELTY

The Paris Review, fall 1972


I consider a story merely as a frame on which to stretch my materials.

WASHINGTON IRVING

introduction, Tales of a Traveler

Tags: Washington Irving


I don't suppose a writing man ever really gets rid of his old crocus-yellow neckties. Sooner or later, I think, they show up in his prose, and there isn't a hell of a lot he can do about it.

J. D. SALINGER

"Seymour: An Introduction"

Tags: J. D. Salinger


I really think that reading is just as important as writing when you're trying to be a writer. Because it's the only apprenticeship we have.

JOHN GREEN

"Nov. 26th: Writing Advice (And Notes on Surnameless Tiffany)", YouTube

Tags: John Green