quotations about writing
I never write in the daytime. It's like running through the shopping mall with your clothes off. Everybody can see you. At night ... that's when you pull the tricks ... magic.
CHARLES BUKOWSKI
Interview Magazine, September 1987
In my view, if you write every day you're a certified graphomaniac, you're OCD, you're addicted to the physical act and not the real, spiritual one.
ROSEMARY JENKINSON
"Writing is not about youth but about spark", Irish Times, March 27, 2017
It didn't occur to me that my books would be widely read at all, and that enabled me to write anything I wanted to. And even once I realized that they were being read, I still wrote as if I were writing in secret. That's how one has to write anyway--in secret.
LOUISE ERDRICH
The Paris Review, winter 2010
Nothing bad can happen to a writer. Everything is material.
PHILIP ROTH
attributed, Literary Agents: How to Get & Work With the Right One For You
A lot of novelists start late--Conrad, Pirandello, even Mark Twain. When you're young, chess is all right, and music and poetry. But novel-writing is something else. It has to be learned, but it can't be taught. This bunkum and stinkum of college creative writing courses! The academics don't know that the only thing you can do for someone who wants to write is to buy him a typewriter.
JAMES M. CAIN
The Paris Review, spring-summer 1978
Everybody writes a book too many.
MORDECAI RICHLER
"Sayings of the Week", The Observor, January 9, 1985
Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.
JOHN BANVILLE
attributed, Irish Writers and Their Creative Process
He did not seem to know enough about the people in his novel. They did not seem to trust him.
JAMES BALDWIN
Another Country
How hard is the destiny of a maker of books! He has to cut and sew up in order to make ideas follow logically. But when one writes a book on reverie, has the time not come to let the pen run, to let reverie speak, and better yet to dream the reverie at the same time one believes he is transcribing it?
GASTON BACHELARD
The Poetics of Reverie: Childhood, Language, and the Cosmos
I believe in writing somewhat quickly, getting the story down; it can be bad, it can be a mess, but the key thing is to get it down.
JEFF ABBOTT
"Rules of Fiction with Jeff Abbott", Suspense Magazine, January 19, 2017
I consider a story merely as a frame on which to stretch my materials.
WASHINGTON IRVING
introduction, Tales of a Traveler
I like to have a thing suggested rather than told in full. When every detail is given, the mind rests satisfied, and the imagination loses the desire to use its own wings. The partly draped statue has a charm which the nude lacks. Who would have those marble folds slip from the raised knee of the Venus of Melos?
THOMAS BAILEY ALDRICH
Ponkapog Papers
I think it is essential to promote your work, since there are over 100,000 books published each year, and readers can fall in love with books they've never heard about.
DOUGLAS CARLTON ABRAMS
interview, The Writer's Life
The industry is a terrible, cold place run by people who love to tear writers apart. Rejection is the norm, which means writing is the act of falling madly, deeply in love with your characters and story, even knowing you'll probably get your heart broken for it.
COREY MANDELL
"Beware the Writing Zombies", Huffington Post, February 25, 2016
The only characters I've made to resemble real people have been grotesques.
GLEN COOK
interview, SF Site, September 2005
The reason I write so slowly is because I try never to leave a sentence until it's as perfect as I can make it. So there isn't a word in any of my books that hasn't been gone over 40 times.
TOM ROBBINS
"In the Creative Process with Tom Robbins; Perfect Sentences, Imperfect Universe", New York Times, December 30, 1993
Think what it would mean if you could teach, or if you could learn the art of writing. Why, every book, every newspaper you'd pick up, would tell the truth, or create beauty. But there is, it would appear, some obstacle in the way, some hindrance to the teaching of words. For though at this moment at least a hundred professors are lecturing on the literature of the past, at least a thousand critics are reviewing the literature of the present, and hundreds upon hundreds of young men and women are passing examinations in English literature with the utmost credit, still -- do we write better, do we read better than we read and wrote four hundred years ago when we were un-lectured, un-criticized, untaught?
VIRGINIA WOOLF
"Words Fail Me", BBC radio, April 29, 1937
To say that a writer's hold on reality is tenuous is an understatement -- it's like saying the Titanic had a rough crossing. Writers build their own realities, move into them, and occasionally send letters home.
DAVID GERROLD
The Martian Child
Writing is about growth, challenge and change. Without those things, there's no joy in it.
VERONICA ROTH
"Best-Selling Author Veronica Roth Tells What Writing Books Is Really Like", Entrepreneur, March 30, 2017
You know nobody's ever going to see the stuff, but you have to write through it. You're just trying to satisfy some grim, barren mandate. There's probably a German word for that.
JOHN JEREMIAH SULLIVAN
The Paris Review, winter 2012