WRITING QUOTES XIII

quotations about writing


Notice: Undefined variable: id in /hermes/walnacweb03/walnacweb03ak/b2149/pow.notablequote/htdocs/w/includes/quoter_subj.php on line 27

Almost every author I have met who has started a novel that is not yet finished is making the same mistake: They are all bogged down at around chapter 4 or 5. Why? Because they are editing everything as they go. Dotting every T, crossing every 'i' and writing and re-writing every sentence until it is perfect. There are a few theories as to why you just can't do this but let me just be clear up front: YOU CAN'T DO THIS!

DAVID CHISLETT
Notice: Undefined variable: id in /hermes/walnacweb03/walnacweb03ak/b2149/pow.notablequote/htdocs/w/includes/quoter_subj.php on line 37

"Editing Is Not Writing", Books LIVE, February 12, 2016


Notice: Undefined variable: id in /hermes/walnacweb03/walnacweb03ak/b2149/pow.notablequote/htdocs/w/includes/quoter_subj.php on line 63

When we attempt to articulate our tender feelings in writing, we enter an inner dialogue of self-exploration: we forage for the more precise word, the more resonant phrasing. If the writing is done with particular care and attention, there is a Goldilocks quality to it: We rustle through an assortment of terms, discarding one, perhaps as "too weak" or another "too ordinary" until we settle upon the one that is "just right". In doing so, we have discovered something about ourselves.

DANIEL GRIFFIN

"Don't Tell Him You Love Him... Put It in Writing", Huffington Post, February 15, 2016


I've come to believe that a huge part of getting better at writing is forcing yourself to see the things that have been in the corner of your eye all along. That means writing stories that include characters from other cultures and backgrounds--but also, being more open to other viewpoints in general. It also means interrogating all of your other lazy ideas and drilling into all of the "of courses" that you let yourself get away with.

CHARLIE JANE ANDERS

"The Single Most Important Thing You Can Do To Make Your Writing More Awesome", Gizmodo, February 25, 2016


He did not seem to know enough about the people in his novel. They did not seem to trust him.

JAMES BALDWIN

Another Country

Tags: James Baldwin


Many writers are there that paint a stolen jade and sell it for a colt at the nearest fair.

AUSTIN O'MALLEY

Keystones of Thought

Tags: Austin O'Malley


When asked for advice by beginners. Know your ending, I say, or the river of your story may finally sink into the desert sands and never reach the sea.

ISAAC ASIMOV

I, Asimov: A Memoir

Tags: Isaac Asimov


The final lesson a writer learns is that everything can nourish the writer. The dictionary, a new word, a voyage, an encounter, a talk on the street, a book, a phrase learned.

ANAÏS NIN

attributed, French Writers of the Past


The business of a novelist is, in my opinion, to create characters first and foremost, and then to set them in the snarl of the human currents of his time, so that there results an accurate permanent record of a phase of history.

JOHN DOS PASSOS

"The Business of a Novelist"


When I write, I write because a thing has to be done. I don't think a writer should meddle too much with his own work. He should let the work write itself.

JORGE LUIS BORGES

The Paris Review, winter-spring 1967


The writer is delegated to declare and to celebrate man's proven capacity for greatness of heart and spirit -- for gallantry in defeat -- for courage, compassion and love. In the endless war against weakness and despair, these are the bright rally-flags of hope and of emulation.

JOHN STEINBECK

Nobel Prize acceptance speech, December 10, 1962


The first paragraph. The last paragraph. That's where the story is going and how it's going to end. Or else you'll go off in a hundred different directions.

HUNTER S. THOMPSON

The Paris Review, fall 2000


Writer's block is only a failure of the ego.

NORMAN MAILER

attributed, A Writer's Time


Popular success is a palace built for a writer by publishers, journalists, admirers and professional reputation makers, in which a silent army of termites, rats, dry rot and death-watch beetles are tunnelling away, till, at the very moment of completion, it is ready to fall down. The one hope for a writer is that although his enemies are often unseen they are seldom unheard. He must listen for the death-watch, listen for the faint toc-toc, the critic's truth sharpened by envy, the embarrassed praise of a sincere friend, the silence of gifted contemporaries, the implications of the don in the manger, the visitor in the small hours. He must dismiss the builders and contractors, elude the fans with an assumed name and dark glasses, force his way off the moving staircase, subject every thing he writes to a supreme critical court. Would it amuse Horace or Milton or Swift or Leopardi? Could it be read to Flaubert? Would it be chosen by the Infallible Worm, by the discriminating palates of the dead?

CYRIL CONNOLLY

Enemies of Promise


The privilege of being a writer is that you have this opportunity to slow down and to consider things.

CHRIS ABANI

interview, UTNE Reader, June 2010

Tags: Chris Abani


The life of a writer is absolute hell ... if he is a writer of fiction he lives in a world of fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not.

ROALD DAHL

Boy

Tags: Roald Dahl


I try to write every day. I used to try to write four times a day, minimum of three sentences each time. It doesn't sound like much but it's kinda like the hare and the tortoise. If you try that several times a day you're going to do more than three sentences, one of them is going to catch on. You're going to say "Oh boy!" and then you just write. You fill up the page and the next page. But you have a certain minimum so that at the end of the day, you can say "Hey I wrote four times today, three sentences, a dozen sentences. Each sentence is maybe twenty word long. That's 240 words which is a page of copy, so at least I didn't goof off completely today. I got a page for my efforts and tomorrow it might be easier because I've moved as far as I have."

ROGER ZELAZNY

interview, Phlogiston, 1995


I find writing extremely difficult. I usually have to drag myself to my desk, mainly because I doubt myself. And it's getting harder because I want to improve with every book. Sometimes I guess it's best just to forget there's an audience and just write like no one will ever read it at all.

MARKUS ZUSAK

"Why I Write", The Guardian, March 28, 2008


Writers are made--forged, really, in a kiln of their own madness and insecurities.

CHUCK WENDIG

250 Things You Should Know About Writing

Tags: Chuck Wendig


Read heavily in the area where you want to write. Be aware of what's selling and what's doing well but don't try to write to market trends; they are fleeting.

JEFF ABBOTT

interview, Book Browse


I compelled myself all through to write an exercise in verse, in a different form, every day of the year. I turned out my page every day, of some sort--I mean I didn't give a damn about the meaning, I just wanted to master the form--all the way from free verse, Walt Whitman, to the most elaborate of villanelles and ballad forms. Very good training. I've always told everybody who has ever come to me that I thought that was the first thing to do.

CONRAD AIKEN

interview, The Paris Review, winter-spring 1968