WRITING QUOTES XXV

quotations about writing

I don't believe in the notion that some characters have lives of their own and the author follows after them. The author has to be careful not to force the character to do something that would go against the logic of that character's personality, but the character does not have independence. The character is trapped in the author's hand, in my hand, but he is trapped in a way he does not know he is trapped. The characters are on strings, but the strings are loose; the characters enjoy the illusion of freedom, of independence, but they cannot go where I do not want them to go. When that happens, the author must pull on the string and say to them, I am in charge here.

JOSÉ SARAMAGO

The Paris Review, winter 1998

Tags: José Saramago


The art of the word is painting + architecture + music.

YEVGENY ZAMYATIN

The New Russian Prose

Tags: Yevgeny Zamyatin


What I cannot thus eliminate, what I must, head down, eyes shut, with the courage of a battalion and the blindness of a bull, charge and disperse are, indubitably, the figures behind the ferns, commercial travellers. There I've hidden them all this time in the hope that somehow they'd disappear, or better still emerge, as indeed they must, if the story's to go on gathering richness and rotundity, destiny and tragedy, as stories should, rolling along with it two, if not three, commercial travellers and a whole grove of aspidistra.

VIRGINIA WOOLF

"An Unfinished Novel", The Complete Shorter Fiction of Virginia Woolf

Tags: Virginia Woolf


I've gotten a little superstitious about listening to music when I write. Once a story is going somewhere, I keep listening to the same music whenever I work on that story. It seems to help me keep in voice, and alternatively, if I need to make some kind of dramatic shift, I'll go and put on something different to shake myself awake.

KELLY LINK

"Words by Flashlight", Sybil's Garage, June 7, 2006

Tags: Kelly Link


Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.

WALTER BENJAMIN

One-Way Street

Tags: Walter Benjamin


The moment comes when a character does or says something you hadn't thought about. At that moment he's alive and you leave it to him.

GRAHAM GREENE

New York Times, October 9, 1985


There are three rules for writing the novel. Unfortunately, no one knows what they are.

W. SOMERSET MAUGHAM

attributed, Literary Agents: How to Get & Work with the Right One for You

Tags: W. Somerset Maugham


Writers kid themselves -- about themselves and other people. Take the talk about writing methods. Writing is just work -- there's no secret. If you dictate or use a pen or type or write with your toes -- it's still just work.

SINCLAIR LEWIS

attributed, Just Open a Vein: A Book of Quotes for Writers

Tags: Sinclair Lewis


In the very act of writing I felt pleased with what I did. There was the pleasure of having words come to me, and the pleasure of ordering them, re-ordering them, weighing one against another. Pleasure also in the imagination of the story, the feeling that it could mean something. Mostly I was glad to find out that I could write at all. In writing you work toward a result you won't see for years, and can't be sure you'll ever see. It takes stamina and self-mastery and faith. It demands those things of you, then gives them back with a little extra, a surprise to keep you coming. It toughens you and clears your head. I could feel it happening. I was saving my life with every word I wrote, and I knew it.

TOBIAS WOLFF

In Pharaoh's Army


You must keep sending work out; you must never let a manuscript do nothing but eat its head off in a drawer. You send that work out again and again, while you're working on another one. If you have talent, you will receive some measure of success -- but only if you persist.

ISAAC ASIMOV

attributed, How to Become a Famous Writer Before You're Dead

Tags: Isaac Asimov


I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and turn it around again.

PHILIP ROTH

Ghost Writer

Tags: Philip Roth


Be a mere assistant to your unconscious. Do only half the work. The rest will do itself.

JEAN COCTEAU

Diary of an Unknown

Tags: Jean Cocteau


I can't understand why a person will take a year or two to write a novel when he can easily buy one for a few dollars.

FRED ALLEN

attributed, Books: Their History, Art, Power, Glory, Infamy and Suffering According to Their Creators, Friends and Enemies

Tags: Fred Allen


Nothing is more clear than that every plot, worth the name, must be elaborated to its dénouement before any thing be attempted with the pen. It is only with the dénouement constantly in view that we can give a plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points, tend to the development of the intention.

EDGAR ALLAN POE

"The Philosophy of Composition"

Tags: Edgar Allan Poe


Writing is a conversation, to me. The best kind. You can't get interrupted.

GERALD ASHER

speech at the Symposium for Professional Wine Writers, February 2011

Tags: Gerald Asher


The responsibility of the writer is to be a sort of demonic social critic -- to present the world and people in it as he sees it and say, "Do you like it? If you don't like it, change it."

EDWARD ALBEE

interview with Digby Diehl, 1963


Everything you look at can be turned into a story ... you can make a tale of everything you touch.

HANS CHRISTIAN ANDERSEN

"The Elder Tree Mother"

Tags: Hans Christian Andersen


Wearing down seven number-two pencils is a good day's work.

ERNEST HEMINGWAY

The Paris Review, spring 1958

Tags: Ernest Hemingway


One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed.

GRAHAM GREENE

The Paris Review, autumn 1953


A writer never forgets the first time he accepted a few coins or a word of praise in exchange for a story. He will never forget the sweet poison of vanity in his blood and the belief that, if he succeeds in not letting anyone discover his lack of talent, the dream of literature will provide him with a roof over his head, a hot meal at the end of the day, and what he covets the most: his name printed on a miserable piece of paper that surely will outlive him. A writer is condemned to remember that moment, because from then on he is doomed and his soul has a price.

CARLOS RUIZ ZAFON

The Angel's Game

Tags: Carlos Ruiz Zafon