WRITING QUOTES XXV

quotations about writing

Fiction -- at least for me -- requires long, relatively uninterrupted time stretches in which to bring it to fruition. I've never been a two-hour-in-the-morning writer, who could put in another six hours on Sunday afternoon. For me, a novel requires weeks of living in a largely mental and wholly internal landscape. Everything else has to be relegated to the odd hour here, the bit of time there. Sadly, however, uninterrupted time blocks are not what life doles out today to any of us with regularity.

SAMUEL R. DELANY

interview, SF Site, April 2001


Everything you look at can be turned into a story ... you can make a tale of everything you touch.

HANS CHRISTIAN ANDERSEN

"The Elder Tree Mother"

Tags: Hans Christian Andersen


Crossing out is an art that is, perhaps, even more difficult than writing. It requires the sharpest eye to decide what is superfluous and must be removed. And it requires ruthlessness toward yourself -- the greatest ruthlessness and self-sacrifice. You must know how to sacrifice parts in the name of the whole.

YEVGENY ZAMYATIN

Theme and Plot

Tags: Yevgeny Zamyatin


Be a mere assistant to your unconscious. Do only half the work. The rest will do itself.

JEAN COCTEAU

Diary of an Unknown

Tags: Jean Cocteau


As for the story, whether the poet takes it ready made or constructs it for himself, he should first sketch its general outline, and then fill in the episodes and amplify in detail.

ARISTOTLE

Poetics

Tags: Aristotle


As far back as I can remember, I've been writing. I've always had this wild imagination, and I love to embellish stories to make them more interesting. When I was a kid I had all these intricate histories for all my stuffed animals and dollhouse families, which I would type out on this old manual typewriter my parents set up for me in the corner of our TV room. I kept writing all through middle school, and in high school I got diverted a bit, but I picked it up again in college. I really didn't think I'd actually be a writer until I graduated and found that I just couldn't stop and go get a real job. Every time I finished something, another idea would follow right behind. So I went into waitressing and just wrote like crazy. At times it seemed really stupid, since I was totally broke and there was no kind of guarantee that I'd ever see anything come of it. Luckily, it did. But even if I hadn't sold a book by now I'd still be writing. It becomes a part of you, just something you do.

SARAH DESSEN

interview, Puffin Books

Tags: Sarah Dessen


Writing is nothing more than a guided dream.

JORGE LUIS BORGES

preface, Dr. Brodie's Report

Tags: Jorge Luis Borges


Writing is a tough thing and you only get better with practice. Just like free throws.

NICK WESTFALL

"Man writes directorial debut movie 'Finding Home'", myfox8, March 30, 2017


Writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational.

JAMES M. CAIN

The Paris Review, spring-summer 1978


The greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous.

ARISTOTLE

Poetics

Tags: Aristotle


The art of the word is painting + architecture + music.

YEVGENY ZAMYATIN

The New Russian Prose

Tags: Yevgeny Zamyatin


One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed.

GRAHAM GREENE

The Paris Review, autumn 1953


It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997

Tags: John le Carré


I like to have a hero a little underpowered. I mean, Spiderman is far cooler than Superman. How do you challenge Superman?

PATRICIA BRIGGS

interview, Bitten by Books, March 30, 2010

Tags: Patricia Briggs


I don't believe in the notion that some characters have lives of their own and the author follows after them. The author has to be careful not to force the character to do something that would go against the logic of that character's personality, but the character does not have independence. The character is trapped in the author's hand, in my hand, but he is trapped in a way he does not know he is trapped. The characters are on strings, but the strings are loose; the characters enjoy the illusion of freedom, of independence, but they cannot go where I do not want them to go. When that happens, the author must pull on the string and say to them, I am in charge here.

JOSÉ SARAMAGO

The Paris Review, winter 1998

Tags: José Saramago


However much the writer might long to be, in his work, simple, honest, and straightforward, these virtues are no longer available to him. He discovers that in being simple, honest, and straightforward, nothing much happens: he speaks the speakable, whereas what we are looking for is the as-yet unspeakable, the as-yet unspoken.

DONALD BARTHELME

"Not-Knowing"


Belief in one's identity as a poet or writer prior to the acid test of publication is as naïve and harmless as the youthful belief in one's immortality ... and the inevitable disillusionment is just as painful.

DAN SIMMONS

Hyperion


As we understand it, the surest way to make a living by the pen is to raise pigs.

ROBERT ELLIOTT GONZALES

Poems and Paragraphs

Tags: Robert Elliott Gonzales


All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel.

MARGARET ATWOOD

The Blind Assassin

Tags: Margaret Atwood


Writing is a conversation, to me. The best kind. You can't get interrupted.

GERALD ASHER

speech at the Symposium for Professional Wine Writers, February 2011

Tags: Gerald Asher