quotations about writing
Writers are greatly respected. The intelligent public is wonderfully patient with them, continues to read them, and endures disappointment after disappointment, waiting to hear from art what it does not hear from theology, philosophy, social theory, and what it cannot hear from pure science. Out of the struggle at the center has come an immense, painful longing for a broader, more flexible, fuller, more coherent, more comprehensive account of what we human beings are, who we are and what this life is for.
SAUL BELLOW
Nobel lecture, December 12, 1976
Writing is a conversation, to me. The best kind. You can't get interrupted.
GERALD ASHER
speech at the Symposium for Professional Wine Writers, February 2011
Writing is nothing more than a guided dream.
JORGE LUIS BORGES
preface, Dr. Brodie's Report
You must keep sending work out; you must never let a manuscript do nothing but eat its head off in a drawer. You send that work out again and again, while you're working on another one. If you have talent, you will receive some measure of success -- but only if you persist.
ISAAC ASIMOV
attributed, How to Become a Famous Writer Before You're Dead
As far back as I can remember, I've been writing. I've always had this wild imagination, and I love to embellish stories to make them more interesting. When I was a kid I had all these intricate histories for all my stuffed animals and dollhouse families, which I would type out on this old manual typewriter my parents set up for me in the corner of our TV room. I kept writing all through middle school, and in high school I got diverted a bit, but I picked it up again in college. I really didn't think I'd actually be a writer until I graduated and found that I just couldn't stop and go get a real job. Every time I finished something, another idea would follow right behind. So I went into waitressing and just wrote like crazy. At times it seemed really stupid, since I was totally broke and there was no kind of guarantee that I'd ever see anything come of it. Luckily, it did. But even if I hadn't sold a book by now I'd still be writing. It becomes a part of you, just something you do.
SARAH DESSEN
interview, Puffin Books
Brevity is the sister of talent.
ANTON CHEKHOV
letter to A. P. Chekhov, April 11, 1889
However much the writer might long to be, in his work, simple, honest, and straightforward, these virtues are no longer available to him. He discovers that in being simple, honest, and straightforward, nothing much happens: he speaks the speakable, whereas what we are looking for is the as-yet unspeakable, the as-yet unspoken.
DONALD BARTHELME
"Not-Knowing"
I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.
LOUIS AUCHINCLOSS
interview, Bomb Magazine, fall 1997
I realized that I wanted to be a writer. But I wasn't sure I would be until I was fifteen or so. At that time I had immodestly started sending stories to magazines and literary quarterlies. Of course no writer ever forgets his first acceptance; but one fine day when I was seventeen, I had my first, second, and third, all in the same morning's mail. Oh, I'm here to tell you, dizzy with excitement is no mere phrase!
TRUMAN CAPOTE
The Paris Review, spring-summer 1957
I tend to be a plotter, just because I do have to write an outline of the book for my publisher, and I like to have an idea of where I'm headed. That said, I don't treat the outline as cast in stone, and I often get better ideas as I write, so the outline is a living thing. What often drives change is when I start writing a particular character and she or he asserts themselves more strongly than I thought they would.
JEFF ABBOTT
"At the Mercy of Storytellers: MysteryPeople Q&A with Jeff Abbott", Mystery People, July 17, 2017
I think any start has to be a false start because really there's no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it's really a false start is when you start ... it's hard to put into words.
ELIF BATUMAN
The Paris Review, winter 2012
I've got splinters in my nose from the best publishing doors in town.
RITA MAE BROWN
interview, Time, March 18, 2008
It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997
One writes out of one thing only--one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give.
JAMES BALDWIN
Notes of a Native Son
The art of the word is painting + architecture + music.
YEVGENY ZAMYATIN
The New Russian Prose
The greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous.
ARISTOTLE
Poetics
The process of creating is related to the process of dreaming although when you are writing you're doing it and when you're dreaming, it's doing you.
ROBERT STONE
attributed, A Writer's Book of Days
There is absolutely everything in great fiction but a clear answer.
EUDORA WELTY
On Writing
When I write I don't aim to shock people, and I'm surprised when I do. But I don't think that anything that occurs in life should be omitted from art, though the artist should present it in a fashion that is artistic and not ugly. I set out to tell the truth. And sometimes the truth is shocking.
TENNESSEE WILLIAMS
The Paris Review, fall 1981
When I write, I go to live inside the book. By which I mean, mentally I can experience everything I'm writing about. I can see it, hear its sounds, feel its heat or rain. The characters become better known to me than the closest family or friends. This makes the writing-down part very simple most of the time. I only need to describe what's already there in front of me. That said, it won't be a surprise if I add that the imagined worlds quickly become entangled with the so-called reality of this one. Since I write almost every day, and I think (and dream) constantly about my work, it occurs to me I must spend more time in all these places than here.
TANITH LEE
author's note, Wolf Tower