WRITING QUOTES XXVII

quotations about writing

I can't write five words but that I change seven.

DOROTHY PARKER

The Paris Review, summer 1956


You know, many writers really don't like to write. I think this the chief complaint of so many. They hate to write; they do it under the compulsion that makes any artist the victim he is, but they loathe the process of sitting down trying to turn thoughts into reasonable sentences.

HARPER LEE

interview with Roy Newquist, Counterpoints, 1964

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I've always considered writing the most hateful kind of work. I suspect it's a bit like f***ing -- which is fun only for amateurs. Old whores don't do much giggling.

HUNTER S. THOMPSON

The Great Shark Hunt: Strange Tales from a Strange Time

Tags: Hunter S. Thompson


I've gotten a little superstitious about listening to music when I write. Once a story is going somewhere, I keep listening to the same music whenever I work on that story. It seems to help me keep in voice, and alternatively, if I need to make some kind of dramatic shift, I'll go and put on something different to shake myself awake.

KELLY LINK

"Words by Flashlight", Sybil's Garage, June 7, 2006

Tags: Kelly Link


Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.

MARTIN AMIS

The Paris Review, spring 1998


I would be a liar, a hypocrite, or a fool--and I'm not any of those--to say that I don't write for the reader. I do. But for the reader who hears, who really will work at it, going behind what I seem to say. So I write for myself and that reader who will pay the dues.

MAYA ANGELOU

The Paris Review, fall 1990


Occasionally, I'll dream I'm in the factory. That will help me write. Not creatively, but more like a prod. I don't want to go back there.

ROBERT REED

Lincoln Journal Star, January 11, 2004


Theatre and publishing worship either precocious young writers or mute dead ones.

ROSEMARY JENKINSON

"Writing is not about youth but about spark", Irish Times, March 27, 2017


Fiction -- at least for me -- requires long, relatively uninterrupted time stretches in which to bring it to fruition. I've never been a two-hour-in-the-morning writer, who could put in another six hours on Sunday afternoon. For me, a novel requires weeks of living in a largely mental and wholly internal landscape. Everything else has to be relegated to the odd hour here, the bit of time there. Sadly, however, uninterrupted time blocks are not what life doles out today to any of us with regularity.

SAMUEL R. DELANY

interview, SF Site, April 2001


When I write I don't aim to shock people, and I'm surprised when I do. But I don't think that anything that occurs in life should be omitted from art, though the artist should present it in a fashion that is artistic and not ugly. I set out to tell the truth. And sometimes the truth is shocking.

TENNESSEE WILLIAMS

The Paris Review, fall 1981


Fiction writers, at least in their braver moments, do desire the truth: to know it, speak it, serve it. But they go about it in a peculiar and devious way, which consists in inventing persons, places, and events which never did and never will exist or occur, and telling about these fictions in detail and at length and with a great deal of emotion, and then when they are done writing down this pack of lies, they say, There! That's the truth!

URSULA K. LE GUIN

introduction, The Left Hand of Darkness

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A plain narrative of any remarkable fact, emphatically related, has a more striking effect without the author's comment.

WILLIAM SHENSTONE

Essays on Men and Manners


The art of the word is painting + architecture + music.

YEVGENY ZAMYATIN

The New Russian Prose

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From the moment I start a new novel, life's just one endless torture. The first few chapters may go fairly well and I may feel there's still a chance to prove my worth, but that feeling soon disappears and every day I feel less and less satisfied. I begin to say the book's no good, far inferior to my earlier ones, until I've wrung torture out of every page, every sentence, every word, and the very commas begin to look excruciatingly ugly. Then, when it's finished, what a relief! Not the blissful delight of the gentleman who goes into ecstasies over his own production, but the resentful relief of a porter dropping a burden that's nearly broken his back ... Then it starts all over again, and it'll go on starting all over again till it grinds the life out of me, and I shall end my days furious with myself for lacking talent, for not leaving behind a more finished work, a bigger pile of books, and lie on my death-bed filled with awful doubts about the task I've done, wondering whether it was as it ought to have been, whether I ought not to have done this or that, expressing my last dying breath the wish that I might do it all over again!

ÉMILE ZOLA

The Masterpiece

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Pay attention only to the form; emotion will come spontaneously to inhabit it. A perfect dwelling always finds an inhabitant. The artist's business is to build the dwelling; as for the inhabitant, it is up to the reader to provide him.

ANDRE GIDE

Pretexts: Reflections on Literature and Morality

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You never know what you will learn till you start writing. Then you discover truths you never knew existed.

ANITA BROOKNER

attributed, Journal for You, 2003


It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.

CHINUA ACHEBE

interview, Okike, 1990

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You will always have days when you feel like an amateur. When it feels like everybody else is better than you. You will have this nagging suspicion that someone will eventually find you out, call you on your bullshit, realize you're the literary equivalent of a vagrant painting on the side of a wall with a piece of calcified poop. You will have days when the blank page is like being lost in a blizzard. You will sometimes hate what you wrote today, yesterday, or ten years ago. Bad days are part of the package. You just have to shut them out, swaddle your head in tinfoil, and keep writing anyway.

CHUCK WENDIG

The Kick-Ass Writer

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In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream.

DORIS LESSING

The New York Times, April 22, 1984


Writers, especially when they act in a body and with one direction, have great influence on the public mind.

EDMUND BURKE

Reflections on the Revolution in France

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