WRITING QUOTES XXVII

quotations about writing

I realized that I wanted to be a writer. But I wasn't sure I would be until I was fifteen or so. At that time I had immodestly started sending stories to magazines and literary quarterlies. Of course no writer ever forgets his first acceptance; but one fine day when I was seventeen, I had my first, second, and third, all in the same morning's mail. Oh, I'm here to tell you, dizzy with excitement is no mere phrase!

TRUMAN CAPOTE

The Paris Review, spring-summer 1957


I've got splinters in my nose from the best publishing doors in town.

RITA MAE BROWN

interview, Time, March 18, 2008

Tags: Rita Mae Brown


I write fiction and I'm told it’s autobiography, I write autobiography and I'm told it's fiction, so since I'm so dim and they're so smart, let them decide what it is or it isn't.

PHILIP ROTH

Deception: A Novel


Someone watches over us when we write. Mother. Teacher. Shakespeare. God.

MARTIN AMIS

London Fields

Tags: Martin Amis


Failure has been my best friend as a writer. It tests you, to see if you have what it takes to see it through.

MARKUS ZUSAK

"Why I Write", The Guardian, March 28, 2008


He was one of those poets who escaped the terrors of writing by writing all the time.

JAMES BALDWIN

Another Country

Tags: James Baldwin


Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.

GAIL CARSON LEVINE

interview, RIF Reading Planet

Tags: Gail Carson Levine


I can't understand why a person will take a year or two to write a novel when he can easily buy one for a few dollars.

FRED ALLEN

attributed, Books: Their History, Art, Power, Glory, Infamy and Suffering According to Their Creators, Friends and Enemies

Tags: Fred Allen


Wearing down seven number-two pencils is a good day's work.

ERNEST HEMINGWAY

The Paris Review, spring 1958

Tags: Ernest Hemingway


All good writing leaves something unexpressed.

CHRISTIAN NESTELL BOVEE

Intuitions and Summaries of Thought

Tags: Christian Nestell Bovee


I've increasingly been interested in leaving gaps and unresolved elements within a novel, trying to escape from the model of the novel as something in which there is a secret that, when revealed, will make all clear. It seems to me too unlike life, too convenient, too fictional.

ALAN HOLLINGHURST

The Paris Review, winter 2011


Fiction writers, at least in their braver moments, do desire the truth: to know it, speak it, serve it. But they go about it in a peculiar and devious way, which consists in inventing persons, places, and events which never did and never will exist or occur, and telling about these fictions in detail and at length and with a great deal of emotion, and then when they are done writing down this pack of lies, they say, There! That's the truth!

URSULA K. LE GUIN

introduction, The Left Hand of Darkness

Tags: Ursula K. Le Guin


At the age of fourteen I discovered writing as an escape from a world of reality in which I felt acutely uncomfortable.

TENNESSEE WILLIAMS

foreword, Sweet Bird of Youth

Tags: Tennessee Williams


Writers are greatly respected. The intelligent public is wonderfully patient with them, continues to read them, and endures disappointment after disappointment, waiting to hear from art what it does not hear from theology, philosophy, social theory, and what it cannot hear from pure science. Out of the struggle at the center has come an immense, painful longing for a broader, more flexible, fuller, more coherent, more comprehensive account of what we human beings are, who we are and what this life is for.

SAUL BELLOW

Nobel lecture, December 12, 1976

Tags: Saul Bellow


[Rejection] made me quit writing once. For six months. I started up again when my then seven-year-old son asked me to start writing again because I was too grumpy when I wasn't writing.

KIRBY LARSON

interview, Author Turf, March 6, 2014


I tend to be a plotter, just because I do have to write an outline of the book for my publisher, and I like to have an idea of where I'm headed. That said, I don't treat the outline as cast in stone, and I often get better ideas as I write, so the outline is a living thing. What often drives change is when I start writing a particular character and she or he asserts themselves more strongly than I thought they would.

JEFF ABBOTT

"At the Mercy of Storytellers: MysteryPeople Q&A with Jeff Abbott", Mystery People, July 17, 2017

Tags: Jeff Abbott


One writes out of one thing only--one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give.

JAMES BALDWIN

Notes of a Native Son

Tags: James Baldwin


Write. Don't talk about writing. Don't tell me about your wonderful story ideas. Don't give me a bunch of "somedays." Plant your ass and scribble, type, keyboard. If you have any talent at all, it will leak out despite your failure to pay attention in English.

GLEN COOK

interview, SF Site, September 2005


The publishers want series, obviously. Originally, they wanted me to do the Garrett series along with another similar series, so it would be one book every six months. Eventually I'd just do the outlines and they'd get some poor unknown author to flesh out the stories. That's why you see so many books by a famous author and an unknown. You can make half the money basically by selling your name. The thing is, once your name is on enough bad books, maybe it isn't worth all that much any more.

GLEN COOK

interview, Quantum Muse


I think any start has to be a false start because really there's no way to start. You just have to force yourself to sit down and turn off the quality censor. And you have to keep the censor off, or you start second-guessing every other sentence. Sometimes the suspicion of a possible false start comes through, and you have to suppress it to keep writing. But it gets more persistent. And the moment you know it's really a false start is when you start ... it's hard to put into words.

ELIF BATUMAN

The Paris Review, winter 2012