quotations about writing
The same common-sense which makes an author write good things, makes him dread they are not good enough to deserve reading.
JEAN DE LA BRUYÈRE
"Of Works of the Mind", Les Caractères
Remember that in today's market, distribution and promotion are as important as craft. But don't forget what made you want to write fiction. If it was for the money, you're in the wrong business!
ELIZABETH ZELVIN
interview, Book Browsing, July 26, 2012
It was then that I saw the business of writing for what it truly was and is to me. It is your penance for not being lucky. It is an attempt to reach others and to make them love you. It is your instinctive protest, when you find you have no voice at the world's tribunals, and that no one will speak for you. I would give my entire output of words, past, present and to come, in exchange for easier access to the world, for permission to state "I hurt" or "I hate" or "I want". Or indeed, "Look at me". And I do not go back on this. For once a thing is known it can never be unknown. It can only be forgotten. And writing is the enemy of forgetfulness, or thoughtlessness. For the writer there is no oblivion. Only endless memory.
ANITA BROOKNER
Look at Me
I demand that my books be judged with utmost severity, by knowledgeable people who know the rules of grammar and of logic, and who will seek beneath the footsteps of my commas the lice of my thought in the head of my style.
LOUIS ARAGON
Treatise on Style
What you're trying to do when you write is to crowd the reader out of his own space and occupy it with yours, in a good cause. You're trying to take over his sensibility and deliver an experience that moves from mere information.
ROBERT STONE
The Paris Review, winter 1985
Genre categories are irrelevant. I dislike them, but I do not have the casting vote. Writing is writing and stories are stories. Perhaps the only true genres are fiction and non-fiction. And even there, who can be sure?
TANITH LEE
Tabula Rasa, October 1994
If I cannot be myself in what I write, then the whole is nothing but lies and humbug.
HENRIK IBSEN
letter to Björnstjerne Björnson, September 12, 1865
Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.
WALTER BENJAMIN
One-Way Street
I tend to be a plotter, just because I do have to write an outline of the book for my publisher, and I like to have an idea of where I'm headed. That said, I don't treat the outline as cast in stone, and I often get better ideas as I write, so the outline is a living thing. What often drives change is when I start writing a particular character and she or he asserts themselves more strongly than I thought they would.
JEFF ABBOTT
"At the Mercy of Storytellers: MysteryPeople Q&A with Jeff Abbott", Mystery People, July 17, 2017
I've found it incredibly helpful to make writing a routine. I don't sit down with the intention of creating an article that goes viral or some savvy sales page. I sit down and force myself to get my thoughts out on paper or in my laptop. If we choose the same time everyday our physiology is automatically going to start getting prepared to allow thoughts to flow to paper. After awhile of doing this you might even find that your ideas start coming to you shortly before you're scheduled writing time. I've found myself skipping my morning tea because I had such great ideas/thoughts and wanted to quickly get them out of my head and onto paper.
DANIELLE SABRINA
"5 Habits Holding You Back From Creating Great Content", Huffington Post, February 29, 2016
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
BENTLEY LITTLE
"The Summoning: An Interview with Bentley Little", Giants of the Genre
Get an agent. Seriously, submitting stuff unagented means it will end up on the slush pile. An agent is the first quality filter, and a good agent is worth his or her weight in gold, as they'll often know the editors on a personal level and will be able to talk to them directly about the project.
TIM LEBBON
interview, The Horror Zine
Everything you look at can be turned into a story ... you can make a tale of everything you touch.
HANS CHRISTIAN ANDERSEN
"The Elder Tree Mother"
What bothers most critics of my work is the goofiness. One reviewer said I need to make up my mind if want to be funny or serious. My response is that I will make up my mind when God does, because life is a commingling of the sacred and the profane, good and evil. To try and separate them is fallacy.
TOM ROBBINS
"In the Creative Process with Tom Robbins; Perfect Sentences, Imperfect Universe", New York Times, December 30, 1993
When I sit down to write, I have a lot to write, but beforehand, I don't. I'm not full of ideas. Writing is the way I think.
ADAM PHILLIPS
Bomb Magazine, fall 2010
In the very act of writing I felt pleased with what I did. There was the pleasure of having words come to me, and the pleasure of ordering them, re-ordering them, weighing one against another. Pleasure also in the imagination of the story, the feeling that it could mean something. Mostly I was glad to find out that I could write at all. In writing you work toward a result you won't see for years, and can't be sure you'll ever see. It takes stamina and self-mastery and faith. It demands those things of you, then gives them back with a little extra, a surprise to keep you coming. It toughens you and clears your head. I could feel it happening. I was saving my life with every word I wrote, and I knew it.
TOBIAS WOLFF
In Pharaoh's Army
Nowadays three witty turns of phrase and a lie make a writer.
GEORG CHRISTOPH LICHTENBERG
"Notebook D", Aphorisms
The most common human act that writing a novel resembles is lying. The working novelist lies daily, very complexly, and at great length.
WILLIAM GIBSON
Twitter post, May 31, 2009
I didn't want to be ignored. I didn't want my books to be ignored. But I didn't really care to cut such a figure either because ... well, it interferes with the business of writing.
SAUL BELLOW
Q & A at Howard Community College, February 1986
The old, slow, creaking descriptions are a thing of the past; today the rule is brevity -- but every word must be supercharged, high-voltage.
YEVGENY ZAMYATIN
A Soviet Heretic