quotations about writing
Write books only if you are going to say in them the things you would never dare confide to anyone.
EMIL CIORAN
The Trouble with Being Born
We writers don't really think about whether what we write is good or not. It's too much to worry about. We just put the words down, trying to get them right, operating by some inner sense of pitch and proportion, and from time to time, we stick the stuff in an envelope and ship it to an editor.
GARRISON KEILLOR
"Who Has Time to Be a Writer?", Salon, August 11, 1998
To write as if your life depended on it; to write across the chalkboard, putting up there in public the words you have dredged; sieved up in dreams, from behind screen memories, out of silence--words you have dreaded and needed in order to know you exist.
ADRIENNE RICH
What Is Found There: Notebooks on Poetry and Politics
The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn deep into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures, and situations.
CHINUA ACHEBE
There Was a Country: A Personal History of Biafra
The final lesson a writer learns is that everything can nourish the writer. The dictionary, a new word, a voyage, an encounter, a talk on the street, a book, a phrase learned.
ANAÏS NIN
attributed, French Writers of the Past
The easier a thing is to write then the more the writer gets paid for writing it. (And vice versa: ask the poets at the bus stop.)
MARTIN AMIS
The Information
Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
JOAN DIDION
The Paris Review, spring 2006
I've come to believe that a huge part of getting better at writing is forcing yourself to see the things that have been in the corner of your eye all along. That means writing stories that include characters from other cultures and backgrounds--but also, being more open to other viewpoints in general. It also means interrogating all of your other lazy ideas and drilling into all of the "of courses" that you let yourself get away with.
CHARLIE JANE ANDERS
"The Single Most Important Thing You Can Do To Make Your Writing More Awesome", Gizmodo, February 25, 2016
I'm not interested in writing for adults. I like them as people! I don't like the way they publish books in that world. Nothing ever gets a chance.
JOHN GREEN
Huffington Post, October 12, 2012
I tend to write things seven times before I show them to my editor. I write them seven times, then I take them on tour, read them like a dozen times on tour, then go back to the room and rewrite, read and rewrite, and I try to learn as much as I can on my own before I show it to my editor at The New Yorker. I would never show him a first draft, because then he's really going to be sick of it by the twelfth draft.
DAVID SEDARIS
Oasis Magazine, June 2008
Good fiction creates its own reality.
NORA ROBERTS
The Stanislaski Brothers
After a while the business end of writing takes too much of the writing time. Better to pay someone ten percent and find that you're still more than ten percent ahead in the end. Which is true. My present agent says that he always feels that a good agent during the course of a year should earn back for his client at least the ten percent he takes by way of commission, so the client's really nothing out. And what he should ideally do is make him more money than the ten percent.
ROGER ZELAZNY
interview, Phlogiston, 1995
Writers, like teeth, are divided into incisors and grinders.
WALTER BAGEHOT
Estimates of Some Englishmen and Scotchmen
When we attempt to articulate our tender feelings in writing, we enter an inner dialogue of self-exploration: we forage for the more precise word, the more resonant phrasing. If the writing is done with particular care and attention, there is a Goldilocks quality to it: We rustle through an assortment of terms, discarding one, perhaps as "too weak" or another "too ordinary" until we settle upon the one that is "just right". In doing so, we have discovered something about ourselves.
DANIEL GRIFFIN
"Don't Tell Him You Love Him... Put It in Writing", Huffington Post, February 15, 2016
So it is with all great writers: the beauty of their sentences is as unforeseeable as is that of a woman whom we have never seen; it is creative, because it is applied to an external object which they have thought of -- as opposed to thinking about themselves -- and to which they have not yet given expression.
MARCEL PROUST
Within a Budding Grove
It is hard to make a good documentary about writing. Writing is internal, it slowly takes shape in a mind, sometimes after the not very cinematic process of staring at a wall until the words come.
JULIA COOPER
"Obit doc examines the art of the obituary at The New York Times", The Globe and Mail, March 30, 2017
In a very real way, one writes a story to find out what happens in it. Before it is written it sits in the mind like a piece of overheard gossip or a bit of intriguing tattle. The story process is like taking up such a piece of gossip, hunting down the people actually involved, questioning them, finding out what really occurred, and visiting pertinent locations. As with gossip, you can't be too surprised if important things turn up that were left out of the first-heard version entirely; or if points initially made much of turn out to have been distorted, or simply not to have happened at all.
SAMUEL R. DELANY
The Jewel-Hinged Jaw
I'm an into-the-mist writer in terms of plotting, and my process in general is very intuitive. Since my series characters are well established, what usually happens is they start talking in my head, and I'd better grab a pad and pen or hit the digital recorder feature on my iPhone or get to the keyboard before it goes away.
ELIZABETH ZELVIN
interview, Kings River Life Magazine, May 2012
I wrote without much effort; for I was rich, and the rich are always respectable, whatever be their style of writing.
JANE AUSTEN
letter to Cassandra Austen, June 20, 1808
I understood that my real problem with writing was not that I couldn't do it mentally. I couldn't do it physically. I could not sit still. Literally, could not sit still. So I had to solve that. I used some long scarves to tie myself into my chair. I tied myself in with a pack of cigarettes on one side and coffee on the other, and when I instinctively bolted upright after a few minutes, I'd say, Oh, shit. I'm tied down. I've got to keep writing.
LOUISE ERDRICH
The Paris Review, winter 2010