quotations about writing
Young writers if they are to mature require a period of between three and seven years in which to live down their promise. Promise is like the mediaeval hangman who after settling the noose, pushed his victim off the platform and jumped on his back, his weight acting a drop while his jockeying arms prevented the unfortunate from loosening the rope. When he judged him dead he dropped to the ground.
CYRIL CONNOLLY
Enemies of Promise
Grammar is a piano I play by ear, since I seem to have been out of school the year the rules were mentioned. All I know about grammar is its power.
JOAN DIDION
Joan Didion: Essays & Conversations
We writers don't really think about whether what we write is good or not. It's too much to worry about. We just put the words down, trying to get them right, operating by some inner sense of pitch and proportion, and from time to time, we stick the stuff in an envelope and ship it to an editor.
GARRISON KEILLOR
"Who Has Time to Be a Writer?", Salon, August 11, 1998
Prison always has been a good place for writers, killing, as it does, the twin demons of mobility and diversion.
DAN SIMMONS
Hyperion
Writers, like teeth, are divided into incisors and grinders.
WALTER BAGEHOT
Estimates of Some Englishmen and Scotchmen
Oh, I've discarded a great many [poems]. And occasionally I've discarded and then resurrected. I would find a crumpled yellow ball of paper in the wastebasket, in the morning, and open it to see what the hell I'd been up to; and occasionally it was something that needed only a very slight change to be brought off, which I'd missed the day before.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968
Good fiction creates its own reality.
NORA ROBERTS
The Stanislaski Brothers
A man always writes absolutely well whenever he writes in his own manner, but the wigmaker who tries to write like Gellert ... writes badly.
GEORG CHRISTOPH LICHTENBERG
"Notebook B", The Waste Books
Things that you write are in some degree autobiographical, but the first thing you find out about autobiography is that it's the hardest thing in the world to write. It's hard because it's very difficult to be absolutely factual about yourself. So ... when you write, you may draw on facts from your own life, but if their not in harmony with your story, they're worse than useless. You just stumble over them.
SAUL BELLOW
Q & A at Howard Community College, February 1986
I think I have spoken before about the writer, the artist being a kind of dredging net going down into the rich silt of the mind, of the spirit, to bring up things that are normally out of reach or not accessible to consciousness. It's the duty of the writer -- and indeed of all artists -- to think long and deeply and to be able to drill down into those substrata so that these contents are released. Also, I think that as you drill down there is a release in all of the senses because great pressures build up in people and they don't know why. Quite often something very simple, a way of elucidating it, a way of telling the story, can release that and relieve it and make them feel, Yes, that's what is happening to me, or, This is how I feel. Then immediately one is taken off that horrible little rock of chaos where one is entirely alone and brought back into the community.
JEANETTE WINTERSON
The Paris Review, winter 1997
I, even now, persist in believing that these black marks on white paper bear the greatest significance, that if I keep writing I might be able to catch the rainbow of consciousness in a jar.
JEFFREY EUGENIDES
Middlesex
I like what I do. Some writers have said in print that they hated writing and it was just a chore and a burden. I certainly don't feel that way about it. Sometimes it's difficult. You know, you always have this image of the perfect thing which you can never achieve, but which you never stop trying to achieve. But I think ... that's your signpost and your guide. You'll never get there, but without it you won't get anywhere.
CORMAC MCCARTHY
interview with Oprah Winfrey, June 1, 2008
We need the expressive arts, the ancient scribes, the storytellers, the priests. And that's where I put myself: as a storyteller. Not necessarily a high priestess, but certainly the storyteller. And I would love to be the storyteller of the tribe.
TANITH LEE
"Love & Death & Publishers", Locus Magazine, April 1998
Yet do not miss the moral, my good men.
For Saint Paul says that all that's written well
Is written down some useful truth to tell.
Then take the wheat and let the chaff lie still.
GEOFFREY CHAUCER
The Canterbury Tales
To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.
MARK TWAIN
"How to Tell a Story"
Write as the wind blows and command all words like an army!
HILAIRE BELLOC
The Path to Rome
He did not seem to know enough about the people in his novel. They did not seem to trust him.
JAMES BALDWIN
Another Country
Writing is a part of healing, of digging into society.
KHALED KHALIFA
"Syrian novelist Khaled Khalifa tells the stories of a bleeding, beautiful country", Syria Direct, March 23, 2017
So basically, it's totally selfish why I write. There are more harmful ways to spend your time, is how I justify it I guess. If my stories can make others laugh, or make others feel unexpected and complicated emotions, well then it's more than feeling good, then it's a bonus, then its rewarding, then you're building community.
TYLER BARTON
"Millennial Writers on Writing", Huffington Post, February 16, 2016
I really believe there are many excellent writers who have never written because they never could begin. This is especially the case of people of great sensitiveness, or of people of advanced education. Professors suffer most of all from this inhibition. Many of them carry their unwritten books to the grave. They overestimate the magnitude of the task, they overestimate the greatness of the final result. A child in a prep school will write the History of Greece and fetch it home finished after school. "He wrote a fine History of Greece the other day," says his fond father. Thirty years later the child, grown to be a professor, dreams of writing the History of Greece -- the whole of it from the first Ionic invasion of the Aegean to the downfall of Alexandria. But he dreams. He never starts. He can't. It's too big. Anybody who has lived around a college knows the pathos of those unwritten books.
STEPHEN LEACOCK
How to Write