quotations about writing
A serious writer is not to be confused with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
ERNEST HEMINGWAY
Death in the Afternoon
You want to be a writer? Good for you. So does that guy. And that girl. And him. And her. And that old dude. And that young broad. And your neighbor. And your mailman. And that Chihuahua. And that copy machine. Ahead of you is an ocean of wannabe ink slaves and word earners. I don't say this to daunt you. Or to be dismissive. But you have to differentiate yourself, and the way you do that is by doing rather than pretending.
CHUCK WENDIG
The Kick-Ass Writer
Writing in the first person can be claustrophobic--everything that happens in the book is notionally filtered through the narrator, and one can long for the fresh air of another perspective. One can luxuriate in the peculiar world of a character, but there are limitations. Ironizing that person's experience is difficult. You need perhaps a candid old friend of the narrator who can tell a few truths the narrator prefers to ignore.
ALAN HOLLINGHURST
The Paris Review, winter 2011
Why write it? I thought it would earn me money.
ROBERT REED
interview, Fantasy & Science Fiction, December 18, 2012
What I do as a writer, I work with situations, characters, certain situations and characters that appeal to me. And then, I try to imagine them and write the story that seems to flow from them. At a certain point, I can realize the themes are merging from this. But I never start from a thematic point of view, that I'm going to write about reinvention of self, identity, or any of these things. Usually, after the book is finished and I start talking about it, that it becomes analytical in that way. And in some ways it's a distortion of what the process has been, writing the book.
JEFFREY EUGENIDES
interview, 3 AM Magazine
Some writers, of course, simply write, as they feel they are driven to do, by outer/inner inspirations. If, after the work is written and, hopefully, published, others respond -- that is the Champagne. But we, or some of us, don't write for the Champagne. We write because we write.
TANITH LEE
interview, Intergalactic Medicine Show
I write because I've always written, can't stop. I am a writing animal. The way a silk worm is a silk-producing animal.
DORIS LESSING
attributed, Shoptalk: Learning to Write with Writers
First forget inspiration. Habit is more dependable. Habit will sustain you whether you're inspired or not. Habit will help you finish and polish your stories. Inspiration won't. Habit is persistence in practice.
OCTAVIA E. BUTLER
"Furor Scribendi", Bloodchild and Other Stories
Every author has the whole past to contend with; all the centuries are upon him. He is compared with Homer, Dante, Shakespeare, Milton.
HENRY WADSWORTH LONGFELLOW
Table-Talk
At one time I used to keep notebooks with outlines for stories. But I found doing this somehow deadened the idea in my imagination. If the notion is good enough, if it truly belongs to you, then you can't forget it--it will haunt you till it's written.
TRUMAN CAPOTE
The Paris Review, spring-summer 1957
When I write, I don't know what is going to emerge. I begin in a condition of complete unknowing, an utter nakedness of concept or goal. A word appears, another word appears, an image. It is a moving into mystery.
JANE HIRSHFIELD
The Atlantic Online, September 18, 1997
There are two kinds of characters in all fiction, the born and the synthetic. If the writer has to ask himself questions -- is he tall, is he short? -- he had better quit.
REX STOUT
The New York Times, November 15, 1953
The public takes from a writer, or a writing, what it needs and lets the remainder go. But what they take is usually what they need least and what they let go is what they need most.
CHARLES BUKOWSKI
Notes of a Dirty Old Man
Every character is an extension of the author's own personality.
EDWARD ALBEE
The New York Times, September 18, 1966
You can only learn to be a better writer by actually writing. I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.
DORIS LESSING
The New York Times, April 22, 1984
The humorous story is told gravely; the teller does his best to conceal the fact that he even dimly suspects that there is anything funny about it.
MARK TWAIN
"How to Tell a Story"
Some writers love to boast that they can write anywhere: in a cafe, in a park -- some can probably write underwater in a cage with sharks circling. But again it smacks of the cultivated self-image. JK Rowling writing in a café with a baby = potential mythology? Hemingway famously claimed that he could create anywhere, explaining, "the only good place to work is your head" -- but we all know what he did to his head in the end.
ROSEMARY JENKINSON
"Writing is not about youth but about spark", Irish Times, March 27, 2017
Many writers-in-waiting spend a lot of time avoiding the work at hand. The most common way to avoid writing is by procrastination. This is the writer's greatest enemy. There is little to say about it except that once you decide to write every day, you must make yourself sit at the desk or table for the required period whether or not you are putting down words. Make yourself take the time even if the hours seem fruitless. Ideally, after a few days or weeks of being chained to the desk, you will submit to the story that must be told.
WALTER MOSLEY
This Year You Write Your Novel
If you are to become a writer you'll have to stop fooling with words.
SHERWOOD ANDERSON
"The Teacher", Winesburg, Ohio
[Writing is] hostile in that you're trying to make somebody see something the way you see it, trying to impose your idea, your picture. It's hostile to try to wrench around someone else's mind that way. Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream.
JOAN DIDION
The Paris Review, fall-winter 1978