WRITING QUOTES XXXII

quotations about writing


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There are two kinds of characters in all fiction, the born and the synthetic. If the writer has to ask himself questions -- is he tall, is he short? -- he had better quit.

REX STOUT
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The New York Times, November 15, 1953


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I have no pleasure in writing myself--none, in the mere act--though all pleasure in the sense of fulfilling a duty, whence, if I have done my real best, judge how heart-breaking a matter must it be to be pronounced a poor creature by critic this and acquaintance the other.

ROBERT BROWNING

letter to Elizabeth Barrett, March 12, 1845


What I do as a writer, I work with situations, characters, certain situations and characters that appeal to me. And then, I try to imagine them and write the story that seems to flow from them. At a certain point, I can realize the themes are merging from this. But I never start from a thematic point of view, that I'm going to write about reinvention of self, identity, or any of these things. Usually, after the book is finished and I start talking about it, that it becomes analytical in that way. And in some ways it's a distortion of what the process has been, writing the book.

JEFFREY EUGENIDES

interview, 3 AM Magazine


True ease in writing comes from art, not chance,
As those move easiest who have learn'd to dance.

ALEXANDER POPE

An Essay on Criticism

Tags: Alexander Pope


He was one of those poets who escaped the terrors of writing by writing all the time.

JAMES BALDWIN

Another Country

Tags: James Baldwin


A serious writer is not to be confused with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.

ERNEST HEMINGWAY

Death in the Afternoon


Some writers, of course, simply write, as they feel they are driven to do, by outer/inner inspirations. If, after the work is written and, hopefully, published, others respond -- that is the Champagne. But we, or some of us, don't write for the Champagne. We write because we write.

TANITH LEE

interview, Intergalactic Medicine Show

Tags: Tanith Lee


Rejection has value. It teaches us when our work or our skillset is not good enough and must be made better. This is a powerful revelation, like the burning UFO wheel seen by the prophet Ezekiel, or like the McRib sandwich shaped like the Virgin Mary seen by the prophet Steve Jenkins. Rejection refines us. Those who fall prey to its enervating soul-sucking tentacles are doomed. Those who persist past it are survivors. Best ask yourself the question: what kind of writer are you? The kind who survives? Or the kind who gets asphyxiated by the tentacles of woe?

CHUCK WENDIG

"25 Things Writers Should Know About Rejection", Terrible Minds


I'm such a slow writer I have no need for anything as fast as a word processor. I don't need anything so snappy. I write so slowly that I could write in my own blood without hurting myself.

FRAN LEBOWITZ

The Paris Review, summer 1993


Writing is not necessarily something to be ashamed of--but do it in private and wash your hands afterwards.

ROBERT A. HEINLEIN

The Notebooks of Lazarus Long

Tags: Robert A. Heinlein


Writing in the first person can be claustrophobic--everything that happens in the book is notionally filtered through the narrator, and one can long for the fresh air of another perspective. One can luxuriate in the peculiar world of a character, but there are limitations. Ironizing that person's experience is difficult. You need perhaps a candid old friend of the narrator who can tell a few truths the narrator prefers to ignore.

ALAN HOLLINGHURST

The Paris Review, winter 2011

Tags: Alan Hollinghurst


Show people your stuff, listen carefully to their responses, but ultimately don't value anyone's opinion above your own. Be influenced by writers you dislike as well as writers you like. Read their stuff to figure out what's wrong. Find a balance between the confidence that allows you continue, and the self-critical facility that enables you to improve. Get the balance wrong on either side, and you're screwed.

ALEX GARLAND

interview with Dennis Widmyer, July 30, 2007

Tags: Alex Garland


My method is to take the utmost trouble to find the right thing to say, and then to say it with the utmost levity.

GEORGE BERNARD SHAW

Answers to Nine Questions

Tags: George Bernard Shaw


When you're telling a story, you've got to give details.

GAO XINGJIAN

Dialogue and Rebuttal


What people who don't write don't understand is that they think you make up the line consciously -- but you don't. It proceeds from your unconscious. So it's the same surprise to you when it emerges as it is to the audience when the comic says it. I don't think of the joke and then say it. I say it and then realize what I've said. And I laugh at it, because I'm hearing it for the first time myself.

WOODY ALLEN

Esquire, September 2013

Tags: Woody Allen


The first act of insight is throw away the labels. In fiction, while we do not necessarily write about ourselves, we write out of ourselves, using ourselves; what we learn from, what we are sensitive to, what we feel strongly about--these become our characters and go to make our plots. Characters in fiction are conceived from within, and they have, accordingly, their own interior life; they are individuals every time.

EUDORA WELTY

On Writing


You want to be a writer? Good for you. So does that guy. And that girl. And him. And her. And that old dude. And that young broad. And your neighbor. And your mailman. And that Chihuahua. And that copy machine. Ahead of you is an ocean of wannabe ink slaves and word earners. I don't say this to daunt you. Or to be dismissive. But you have to differentiate yourself, and the way you do that is by doing rather than pretending.

CHUCK WENDIG

The Kick-Ass Writer

Tags: Chuck Wendig


You can only learn to be a better writer by actually writing. I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.

DORIS LESSING

The New York Times, April 22, 1984


Many writers-in-waiting spend a lot of time avoiding the work at hand. The most common way to avoid writing is by procrastination. This is the writer's greatest enemy. There is little to say about it except that once you decide to write every day, you must make yourself sit at the desk or table for the required period whether or not you are putting down words. Make yourself take the time even if the hours seem fruitless. Ideally, after a few days or weeks of being chained to the desk, you will submit to the story that must be told.

WALTER MOSLEY

This Year You Write Your Novel


A day in which I don't write leaves a taste of ashes.

SIMONE DE BEAUVOIR

attributed, Writers on Writing

Tags: Simone de Beauvoir