WRITING QUOTES IV
quotations about writing
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Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing. I couldn't ask for anything better. It's as near to godliness as I can get.... The great thrill is when a sentence that starts out being completely plain suddenly begins to sing, rising far above itself and above any expectation I might have had for it. That's what keeps me going on those dark December days.
JOHN BANVILLE
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The Paris Review, spring 2009
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Writing by hand, mouthing by mouth: in each case you get a very strong physical sense of the emergence of language--squeezed out like a well-formed stool--what satisfaction! what bliss!
WILLIAM H. GASS
The Paris Review, summer 1977
I believe the first story I ever wrote was about a young girl who was terribly mistreated by her very cruel parents, and one day the girl fled to the woods to live amongst a pack of wolves. Hey, I was eleven, loved wolves, and had been grounded for what I felt was a minor infraction. Can you blame me?
VICTORIA LAURIE
Relate Magazine, April 1, 2011
The interesting thing is that I rarely look at the outline once I've done it. And when I read the outline once I've written the novel, I realize I've written a totally different book.
JONATHAN KELLERMAN
"Novelist explains how psychology training honed his writing", USC News, February 25, 2016
Novices in the art attain to finish of diction and precision of portraiture before they can construct the plot.
ARISTOTLE
Poetics
All you have to do is write one true sentence. Write the truest sentence you know.
ERNEST HEMINGWAY
A Moveable Feast
Rejections are painful, but inevitable. They're every writer's rite of passage.
OCTAVIA E. BUTLER
"Furor Scribendi", Bloodchild and Other Stories
Each book starts from ashes.
PHILIP ROTH
interview with Cynthia Haven, "The Book Haven"
One of the things that writers very quickly learn to avoid is talking their work away. Talking about your work hardens it prematurely, and weakens the charge. You need to keep a fluid sense of the work in hand--it has to be able to change almost without your being aware that it's changing.
TOBIAS WOLFF
The Paris Review, fall 2004
So basically, it's totally selfish why I write. There are more harmful ways to spend your time, is how I justify it I guess. If my stories can make others laugh, or make others feel unexpected and complicated emotions, well then it's more than feeling good, then it's a bonus, then its rewarding, then you're building community.
TYLER BARTON
"Millennial Writers on Writing", Huffington Post, February 16, 2016
I will agree that inspired writing is liquid gold when it comes to getting our words on paper. However, only writing when one feels inspired is a quick way to produce little to no content. If we waited to exercise only when we felt inspired we likely wouldn't be getting much movement. When something isn't habit those feelings of inspiration start coming further and further in between.
DANIELLE SABRINA
"5 Habits Holding You Back From Creating Great Content", Huffington Post, February 29, 2016
Cautious men have many adverbs, "usually," "nearly," "almost ": safe men begin, " it may be advanced " : you never know precisely what their premises are, nor what their conclusion is; they go tremulously like a timid rider; they turn hither and thither; they do not go straight across a subject, like a masterly mind.
WALTER BAGEHOT
Literary Studies
I am not at all in a humor for writing; I must write on till I am.
JANE AUSTEN
letter to Cassandra Austen, October 26, 1813
Fiction is the only way to redeem the formlessness of life.
MARTIN AMIS
Essays
Let us not, then, lament over the decay and oblivion into which ancient writers descend; they do but submit to the great law of nature, which declares that all sublunary shapes of matter shall be limited in their duration, but which decrees, also, that their elements and vegetable life, passes away, but the vital principle is transmitted to posterity, and the species continue to flourish. Thus, also, do authors beget authors, and having produced a numerous progeny, in a good old age they sleep with their fathers, that is to say, with the authors who preceded them--and from whom they had stolen.
WASHINGTON IRVING
"The Art of Book-Making", The Sketch Book of Geoffrey Crayon
I can remember discussing the effect of the typewriter on our work with Tom Eliot because he was moving to the typewriter about the same time I was. And I remember our agreeing that it made for a slight change of style in the prose -- that you tended to use more periodic sentences, a little shorter, and a rather choppier style -- and that one must be careful about that. Because, you see, you couldn't look ahead quite far enough, for you were always thinking about putting your fingers on the bloody keys. But that was a passing phase only. We both soon discovered that we were just as free to let the style throw itself into the air as we had been writing manually.
CONRAD AIKEN
interview, The Paris Review, winter-spring 1968
Every experience shapes your writing, being stuck in a car on a lonely bridge, or dancing at a prom, being the it girl on the beach, all of those things influence your life, they influence how you write, and the topics you choose to write about.
MAYA ANGELOU
Facebook post, October 13, 2012
To turn experience into speech -- that is, to classify, to categorize, to conceptualize, to grammarize, to syntactify it -- is always a betrayal of experience, a falsification of it; but only so betrayed can it be dealt with at all, and only in so dealing with it did I ever feel a man, alive and kicking.
JOHN BARTH
The End of the Road
I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph--each sentence, even--as I go along.
WILLIAM STYRON
The Paris Review, spring 1954
A double noose thou on thy neck dost pull
For writing treason and for writing dull.
JOHN DRYDEN
Absalom and Achitophel