WRITING QUOTES VII

quotations about writing


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I do everything they tell you not to. I go back and fix things as I go, otherwise I can't move forward. I don't write every day, I write in binges. I don't write drafts, what I write, fixed as I go, is pretty much what gets published. Everybody writes differently, and there are a lot of people who want everybody to write in the same way, people who have a lot invested in telling people to write a whole crappy first draft and then revise it, and so on. That absolutely doesn't work for me. I tell people there are things they can try, and things that might help, but there aren't any rules, except to do what works for you, what gets the story on the page.

JO WALTON
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interview, RT Book Reviews


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Tags: Jo Walton


I never had a plan, except to write. I love what I do, and have from the beginning. Loving what you do makes it a lot easier to work, every day, to face the tough spots and heel in for the long haul. Nothing against plans; they work for some people. But for me, if I'd been planning, worrying about numbers, trying to micro-manage my career, I wouldn't have focused on the writing. If you don't write, you're not read. If you're not read, you don't sell. So that's my Master Plan, I guess. Write the books, let the agent agent, the editor edit, the publisher publish.

NORA ROBERTS

interview, inReads, October 5, 2011


I want to be a writer you can always depend on for a good read during your vacation, during your flight, during a time in your life when you want to forget the world around you. The nicest notes I've received from readers are those that tell me I've gotten them back into reading for entertainment. For me, there is no greater compliment.

JEFF ABBOTT

Publisher's Weekly, May 30, 2011


I'm not interested in writing short stories. Anything that doesn't take years of your life and drive you to suicide hardly seems worth doing.

CORMAC MCCARTHY

The Washington Post, November 13, 2009


It is the glory and the merit of some men to write well, and of others not to write at all.

JEAN DE LA BRUYÈRE

"Of Works of the Mind", Les Caractères

Tags: Jean de La Bruyère


The excitement I get from writing is finding out each day what happens next.

CHARLES DE LINT

"One Thing Leads to Another: An Interview with Charles de Lint", The Yalsa Hub, September 19, 2013

Tags: Charles de Lint


There is a part of me in every character, naturally. That's why novelists rarely write good autobiographies. You start one and it becomes another novel.

JOHN DOS PASSOS

New York Times, November 23, 1941


When the first-rate author wants an exquisite heroine or a lovely morning, he finds that all the superlatives have been worn shoddy by his inferiors. It should be a rule that bad writers must start with plain heroines and ordinary mornings, and, if they are able, work up to something better.

F. SCOTT FITZGERALD

Notebooks


Every writer in the country can write a beautiful sentence, or a hundred. What I am interested in is the ugly sentence that is also somehow beautiful.

DONALD BARTHELME

"On Paraguay"

Tags: Donald Barthelme


For those who do not write and who never have been stirred by the creative urge, talk of muses seems a figure of speech, a quaint concept, but for those of us who live by the Word, our muses are as real and necessary as the soft clay of language which they help to sculpt.

DAN SIMMONS

Hyperion


I hardly ever work from a synopsis -- I find they act like chains.

TANITH LEE

Realms of Fantasy, August 2009

Tags: Tanith Lee


I'm glad that I didn't have the Internet when I started writing. I started writing when I was 20 and didn't show a word of it to anyone until I was 28. I had the sense to keep it to myself. Now the temptation with blogs and such, they're just getting it out there; maybe it would have been best to keep it to themselves.

DAVID SEDARIS

interview, Bohemian, June 2009


Irish English is a very different beast from English English or American English. Very different. The way in which Irish writers are only too happy to infuse their language with ambiguity is very different. An English writer will try to be clear. Orwell said that good prose should be like a pane of glass. The Irish writer would say: 'No no, it's a lens, it distorts everything.'

JOHN BANVILLE

"Oblique dreamer", The Guardian, September 17, 2000

Tags: John Banville


It's easy, after all, not to be a writer. Most people aren't writers, and very little harm comes to them.

JULIAN BARNES

Flaubert's Parrot

Tags: Julian Barnes


Transitions are usually not that interesting. I use space breaks instead, and a lot of them. A space break makes a clean segue whereas some segues you try to write sound convenient, contrived. The white space sets off, underscores, the writing presented, and you have to be sure it deserves to be highlighted this way. If used honestly and not as a gimmick, these spaces can signify the way the mind really works, noting moments and assembling them in such a way that a kind of logic or pattern comes forward, until the accretion of moments forms a whole experience, observation, state of being. The connective tissue of a story is often the white space, which is not empty.

AMY HEMPEL

The Paris Review, summer 2003

Tags: Amy Hempel


Writers, like teeth, are divided into incisors and grinders.

WALTER BAGEHOT

Estimates of Some Englishmen and Scotchmen

Tags: Walter Bagehot


You are that most ambiguous of citizens, the writer.

SAMUEL R. DELANY

The Motion of Light in Water

Tags: Samuel R. Delany


Great novelists are philosopher-novelists who write in images instead of arguments.

ALBERT CAMUS

The Myth of Sisyphus


I held out my book. It was precious to me, as were all the things I'd written; even where I despised their inadequacy there was not one I would disown. Each tore its way from my entrails. Each had shortened my life, killed me with its own special little death.

TANITH LEE

The Book of the Damned

Tags: Tanith Lee


I tend to write things seven times before I show them to my editor. I write them seven times, then I take them on tour, read them like a dozen times on tour, then go back to the room and rewrite, read and rewrite, and I try to learn as much as I can on my own before I show it to my editor at The New Yorker. I would never show him a first draft, because then he's really going to be sick of it by the twelfth draft.

DAVID SEDARIS

Oasis Magazine, June 2008