WRITING QUOTES V

quotations about writing


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One of the things that writers very quickly learn to avoid is talking their work away. Talking about your work hardens it prematurely, and weakens the charge. You need to keep a fluid sense of the work in hand--it has to be able to change almost without your being aware that it's changing.

TOBIAS WOLFF
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The Paris Review, fall 2004


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So basically, it's totally selfish why I write. There are more harmful ways to spend your time, is how I justify it I guess. If my stories can make others laugh, or make others feel unexpected and complicated emotions, well then it's more than feeling good, then it's a bonus, then its rewarding, then you're building community.

TYLER BARTON

"Millennial Writers on Writing", Huffington Post, February 16, 2016


What I had to face, the very bitter lesson that everyone who wants to write has got to learn, was that a thing may in itself be the finest piece of writing one has ever done, and yet have absolutely no place in the manuscript one hopes to publish.

THOMAS WOLFE

Selections from the Works of Thomas Wolfe

Tags: Thomas Wolfe


It was not a choice of writing or not writing. It was a choice of loving my life or not loving my life. To keep writing was always a first priority.... I worked probably 25 years by myself.... Just writing and working, not trying to publish much. Not giving readings. A longer time than people really are willing to commit before they want to go public.

MARY OLIVER

The Christian Science Monitor, December 9, 1992


Once writing has become your major vice and greatest pleasure only death can stop it.

ERNEST HEMINGWAY

The Paris Review, spring 1958


Things may not be immediately discernible in what a man writes, and in this sometimes he is fortunate; but eventually they are quite clear and by these and the degree of alchemy that he possesses he will endure or be forgotten.

ERNEST HEMINGWAY

Nobel Prize speech, December 10, 1954

Tags: Ernest Hemingway


I've never written the things I'd like to write that I've admired all my life. Maybe one never does.

ELIZABETH BISHOP

Conversations with Elizabeth Bishop

Tags: Elizabeth Bishop


You don't have to be a good person to be a good writer--history shows it's better if you're not--but you have to understand your badness.

PETER ABRAHAMS

End of Story

Tags: Peter Abrahams


A true piece of writing is a dangerous thing. It can change your life.

TOBIAS WOLFF

Old School


I myself, as I'm writing, don't know who did it. The readers and I are on the same ground. When I start to write a story, I don't know the conclusion at all and I don't know what's going to happen next. If there is a murder case as the first thing, I don't know who the killer is. I write the book because I would like to find out. If I know who the killer is, there's no purpose to writing the story.

HURAKI MURAKAMI

Paris Review, summer 2004

Tags: Haruki Murakami


I do everything they tell you not to. I go back and fix things as I go, otherwise I can't move forward. I don't write every day, I write in binges. I don't write drafts, what I write, fixed as I go, is pretty much what gets published. Everybody writes differently, and there are a lot of people who want everybody to write in the same way, people who have a lot invested in telling people to write a whole crappy first draft and then revise it, and so on. That absolutely doesn't work for me. I tell people there are things they can try, and things that might help, but there aren't any rules, except to do what works for you, what gets the story on the page.

JO WALTON

interview, RT Book Reviews

Tags: Jo Walton


To turn experience into speech -- that is, to classify, to categorize, to conceptualize, to grammarize, to syntactify it -- is always a betrayal of experience, a falsification of it; but only so betrayed can it be dealt with at all, and only in so dealing with it did I ever feel a man, alive and kicking.

JOHN BARTH

The End of the Road

Tags: John Barth


It is hard to make a good documentary about writing. Writing is internal, it slowly takes shape in a mind, sometimes after the not very cinematic process of staring at a wall until the words come.

JULIA COOPER

"Obit doc examines the art of the obituary at The New York Times", The Globe and Mail, March 30, 2017


I think a good writer is a mix of confidence (sure that what they're writing is going to appeal to their readers) and uncertainty (what if all these words are crap?). If you're too confident, you get an attitude that seeps through into your writing, affecting the characters and the story. If you're too uncertain, you'll never finish anything.

CHARLES DE LINT

interview with Kim Antieau, April 28, 2008

Tags: Charles de Lint


The first draft is the child's draft, where you let it all pour out and then let it romp all over the place, knowing that no one is going to see it and that you can shape it later.

ANNE LAMOTT

Bird by Bird

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When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again. You have started at six in the morning, say, and may go on until noon or be through before that. When you stop you are as empty, and at the same time never empty but filling, as when you have made love to someone you love. Nothing can hurt you, nothing can happen, nothing means anything until the next day when you do it again. It is the wait until the next day that is hard to get through.

ERNEST HEMINGWAY

The Paris Review, spring 1958


Ideas are infinite--writers are hardwired to think that way. We keep it fresh by using new people, mixing character types and putting them in a different setting. It's always the first book all over again, but one idea can be told a thousand different ways. There are 88 keys on the piano, but you can make an infinite amount of music from those keys.

NORA ROBERTS

Time Magazine, November 29, 2007

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To write as if your life depended on it; to write across the chalkboard, putting up there in public the words you have dredged; sieved up in dreams, from behind screen memories, out of silence--words you have dreaded and needed in order to know you exist.

ADRIENNE RICH

What Is Found There: Notebooks on Poetry and Politics

Tags: Adrienne Rich


To subvert is not the aim of literature, its value lies in discovering and revealing what is rarely known, little known, thought to be known but in fact not very well known of the truth of the human world. It would seem that truth is the unassailable and most basic quality of literature.

GAO XINGJIAN

Nobel Lecture, 2000

Tags: Gao Xingjian


When a good writer is having fun, the audience is almost always having fun too.

STEPHEN KING

Entertainment Weekly, August 17, 2007

Tags: Stephen King